中国当代文学的历史与现状(三篇)(The history and present situation of Chinese Contemporary Literature (three articles)).docVIP

中国当代文学的历史与现状(三篇)(The history and present situation of Chinese Contemporary Literature (three articles)).doc

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中国当代文学的历史与现状(三篇)(The history and present situation of Chinese Contemporary Literature (three articles))

中国当代文学的历史与现状(三篇)(The history and present situation of Chinese Contemporary Literature (three articles)) The history and present situation of Chinese Contemporary Literature (three).Txt do not forget the past; can not get more to cherish; belong to their own do not give up; have lost, as a memory. The first China contemporary literature more than 60 years? Because this year is the founding of the 60th anniversary Daqing in the year, the whole nation with 60 years said. Some contemporary literary critics are no exception, have to start the 60 years China contemporary literary articles, so do all kinds of evaluation, for positioning of the discourse has, even to, and bold and creative, launched the todays literature is Chinese reached the height of hitherto unknown spirit fantasy romance. Why is it so important and urgent for these critics to define the historical position of contemporary literature? In Fukuyamas words, did they save history before the end of history? In fact, their original intention is not based on history, but on the present, focusing on the most current ideological theme of contemporary China XX60. Their sense of history is such a moment, but they are in the Chinese seize the opportune moment of contemporary XX60 years of the total project, will China contemporary literature of the history (Chinese contemporary literature 60 years) ideology works as a the Great Wall has significance to. They present the dynamic study and criticism of contemporary literature as a project that should be completed at present in order to fulfill their historical duties. However, the assumption and expectation of the project gave them an unbearable weight, and in their hearts aroused the historical anxiety which was difficult to release. At a recent academic conference, I heard two influential contemporary literary researchers expressing the historical anxieties of contemporary Chinese literature, Chinese own scholars. Where does this historical anxiety come from? A sel

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