on abstract art and the experience of chinese contemporary art - art history papers sociological criticism（抽象艺术与中国当代艺术u2014u2014艺术历史的经验论文社会学批评）.docVIP

On abstract art and the experience of Chinese contemporary art - art history papers sociological criticism Paper Network: Summary of China’s modern art movement in the absence of modern production and modern life and the corresponding ideology carried out under the conditions in the absence of local resources under the conditions of modernity to pursue the art of modern, Western will appear Modern Art’s ‘fetishism.’ Western abstract art as the core of modern art, art in trendy take on a significance beyond itself. Trendy imitation of Western art Although the modern form of art, not updated to create, but with a specific rationality and legitimacy of its intrinsic motivation is for the modern demands. Keywords abstract art, avant-garde of modern Western art in our modern concept of abstract art is more ambiguous, in the early 1980s, when China, when the rise of modern art, abstract art is basically synonymous with modern art, refers to all non-school style, deformation, and the performance, non-objective, can be summarized in the abstract art. I still have not idea what this change, the ordinary man, as long as the non-realistic, is abstract art. There is no abstract art the contents of the statement, in the form of the relationship may be purely to accommodate the cultural, emotional and spiritual meaning, but people do not understand .1981 years, it is just modern Western art into China, the China Art Gallery in Beijing organized a Boston Museum of American Art Paintings, the audience’s interest is primarily in the late 19th century American impressionist works, the American Impressionist painters are trained in the impact of the French Impressionists, but there is a wide gap between the French Impressionists, they and a number of academic skills Impressionist ideas, mainly in the form of ideas together, but the Chinese audience likes their work, especially in Whistler, Cassatt, and Sargent, while truly representative of modern American abstract expression