传统与个人才能（Tradition and individual talent）.docVIP

传统与个人才能（Tradition and individual talent） We do not speak much of tradition in English writings, but sometimes we regret its lack of its name. We have no way of talking about this tradition or a tradition, but at the very least, someones poetry is traditional or even too conventional. The word fear isnt common, except in a phrase of censure. Otherwise, is used to express a deep praise, and for work but as approved by a copy of the interesting archaeological. You can hardly make the word that British people think sounds pleasing to the ear, if not easily mentioned archaeology reassuring. Of course, in our appreciation of the writers of the past or present, the term does not appear. Every nation, every country has not only its own creative criticism has its own temperament; but for the weaknesses and limitations of their own habits and even criticism the weaknesses and limitations of its creative genius is easier to forget. From the many French works we know or think we know, criticism or habit of the French we conclude that (we are suchunconscious people) that the French are more critical than we, sometimes even so self satisfied, as if the French were more natural. Perhaps they are; but we remind ourselves that criticism is as important as breathing, that when we read a book and feel some sense, we can understand that we all thought, criticizing our criticism in the work of psychology. In this process, there is a fact that can be seen; when we praise a poet, we tend to focus on the most different parts of his work. We consider ourselves in these or these parts of his work to see what is his individual and what is his nature. We talked with satisfaction about the difference between the poet and his predecessor, especially the difference with his predecessor, and we tried to find a place to look at. But, if we study a poet, put aside his prejudices, we often see that his works, not only the best part, is the most personal part is his elder poet most powerfully immortal