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场面调度(Scene scheduling).doc

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场面调度(Scene scheduling)

场面调度(Scene scheduling) 1. what is the scene scheduling? Scene scheduling (mise-en-sc NE), from French, meaning is put in place or on the scene. Originally used in drama, it refers to the artistic treatment of directors actions, routes, positions and exchanges between actors. Scene dispatching refers to the directors arrangement of things within the picture frame. Used in film creation, refers to the director for the frame of things is arranged within the frame of scene scheduling refers to the director for the arrangement of things is the director of the film, guide the audience to sense the screen in the world means from different angles, different distance. It provides viewers with a view of the screen world, and this viewer has no choice. The real beauty of scene scheduling is that although the viewpoint changing, space time beating, the procedure would be cut off, segmentation, still can make the audience obtain complete unified impression. This impression includes two aspects: one is the plot level, the other is the emotional orientation and evaluation level of the creative staff. The scene scheduling in movie and TV creation mainly includes two aspects: actor scheduling and shot scheduling. The actor scheduling refers to the change of static and dynamic exchange between the director through the direction of movement, the actors position change as well as the actor, caused by changes in dynamic and static place exchange between images of different shape, direction, position change as well as the actor, caused by the different picture other, different scenery, revealing their relationship and emotional changes, camera and scene, revealing their relationship and emotional changes, to obtain the screen effect. The camera scheduling refers to changes in the use of camera / camera director, axis of the focal length, different angle and different distance of the picture, and to change the focal length, different angle and different distance of the picture to show the

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