中西方绘画异同(Similarities and differences between Chinese and Western painting).docVIP

中西方绘画异同(Similarities and differences between Chinese and Western painting).doc

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中西方绘画异同(Similarities and differences between Chinese and Western painting)

中西方绘画异同(Similarities and differences between Chinese and Western painting) Keywords: form; content; truth; idea; Transcendence Abstract: Western painting art has the difference and similarity in concept and performance, through the contrast of the western painting form and content, and a brief description of the western art concept difference, finally realized in the West on the common goal difference and difference. The traditional idea in the West are different, the western view that man is the universe or the center of the world, is the master of nature; the east especially Chinese thinks that people are part of nature, man and nature should be harmonious coexistence. In the art world, Western painting began to focus perspective and viewpoint of fixed standards, the concept of time and space is very strong; China painting using scatter perspective or point perspective, the picture is often the scene of time and space transformation, moving with the people, with the heart. In the attitude towards nature, there are obvious differences between China and the west. China attaches great importance to the harmony between man and nature. He believes that nature exists before man. Man is a part of nature. While the West thinks that man is the master of nature, and nature exists for man. The difference of this concept, manifested in art, forms different artistic propositions, and forms different traditions and styles in artistic practice. Although there are differences between China and the West in terms of world outlook and artistic conception, they are, after all, human beings living in the same blue sky. There must be similarities or similarities. A piece of art, the contents of the factors of theme, themes, different content determines the author adopts different forms, the same content can have different forms, and different contents will also have a similar expression. A large number of facts in art history show the complex relationship between form and content in ea

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