林生祥为反水库制造文化原子弹管理(Lin Shengxiang management of cultural atomic bomb for anti reservoir;).docVIP

林生祥为反水库制造文化原子弹管理(Lin Shengxiang management of cultural atomic bomb for anti reservoir;).doc

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林生祥为反水库制造文化原子弹管理(Lin Shengxiang management of cultural atomic bomb for anti reservoir;)

林生祥为反水库制造文化原子弹管理(Lin Shengxiang management of cultural atomic bomb for anti reservoir;) In April 17th, the dust incoming Beijing, CBD edge, rebuilding a jeep production plant dark auditorium Washe sparrow, but suddenly surging quiet green. A piece of wood when the right table / chair the court sit in front of Castle Peak floating Yunlong water stirring / folk story / far field and green sea / little figure farming busy / dug earth seeking nourishment / peace and ease tensions...... Guitar strings with strange rhythm, with South Taiwan papaya tree under changing light, piles of notes, like carrying up to the earth and the fields with the audience like the vast background music. There are only three people on the stage who make this illusion: Lin Shengxiang, a Taiwan folk singer who won the Golden Melody Award for four degrees, and his Japanese musician, Dazhu research. The earth study is the name of the song, and also the theme of Lin Shengxiangs nine day continental tour, which began in April 16, 2011. In November last year, this new album titled Lin Shengxiang launched the founder of Taiwan local literature would work as the basis for the re creation, the literature is increasingly weak, struggling to appeal to the singer throat, to the younger generations. Why would sing? Not only because he is Lin Shengxiang and the southern Taiwan town of Meinong Hakka Association, but because they are always concerned about the creation of agriculture, rural and disadvantaged social bottom, rooted native and faces the vast outside world. The earth in the study all works together, like a song about his narrative poems. But the last song appendix reservoir is built, you eat shit (if you can repair the reservoir, can eat shit), is not designed for the creation of Zhong Lihe, but Lin Shengxiang with a fixed partner, songwriter Zhong Yongfeng at the end of the 1990s anti dam movement period before, the name of the song was the rallying cry of the mass movement slogan. The anti reser

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