狼图腾作者访谈录（An interview with the author of Wolf Totem）.docVIP

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狼图腾作者访谈录（An interview with the author of Wolf Totem）.doc

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狼图腾作者访谈录（An interview with the author of Wolf Totem）

狼图腾作者访谈录（An interview with the author of Wolf Totem） In March 13th, the American Penguin Press and the Changjiang literature and art publishing house jointly organized an English version of Wolf Totem in the Imperial Palace. As usual, author Jiang Rong did not show up at the conference site, Wolf Totem in the book of the protagonist Jahnkes prototype, had 11 years together and Jiang Rong sheep prairie painter Chen Jiqun, and Inner Mongolia Dongwuqi town full of herdsmen representatives unexpectedly appeared at the venue. Surrounded by reporters, they repeatedly talk about the absence of Jiang rong. With Wolf Totem related to the scene, belongs to Jiang Rongs seat is always empty. Even through the Internet, you can only find several interviews via email. In March 17th, Jiang Rong and translator Ge Haowen appeared at the Chinese English translation training meeting at Mogan Mountain in Zhejiang. Dialogue was made on the translation of wolf totem. On the morning of the same day and the next day, Jiang Rong two times to accept the Southern Weekend reporter, 11 spread Wolf Totem spirit cards. The greatest life Southern Weekend: you are a theoretical worker and a university teacher. In your own words, you are an amateur writer. But a scholar suddenly wrote a novel, what is the reason? Jiang Rong: actually, as early as 1960 and 1970s, I am also a literary youth. I especially love the Soviet novel and quiet flows the don, it is full of poetic and harsh prairie novels, Cossack culture and the Mongolia culture is very close to that of freedom, bold, strong national character, give me a deep impression. I finally wrote Wolf Totem a potential reason is because I love on the prairie. I have seen the natural features of the original grassland, witnessed the destruction of the grassland and the destruction of the whole nomadic civilization, and this upheaval has made me very miserable. After a few decades of grassland, I saw more destruction, and a greater disaster is approaching.