词选序张惠言(Word order, Zhang Huiyan).docVIP

词选序张惠言(Word order, Zhang Huiyan).doc

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词选序张惠言(Word order, Zhang Huiyan)

词选序张惠言(Word order, Zhang Huiyan) Word order, Zhang Huiyan Syria said: words, cover for Tang Dynasty poet, adopt Yuefu (1) the voice for the new law (2), (3) because of the word, this word . Biography (4) said: outside of meaning (5) is the word.. The edge of love end (6), (7), Xing in the critical phase in the life very touched, folk song, Li Xiang (8) men and women in the funeral music, the sage gentleman and secluded plaintive sentiment (9) cannot say love, is to share (10) to the Yu (11). The cover of Poems ratio, Xing, variable anemo (12), a song (13) is close to it. However, with the small (14), the sound of sorrow, put into (15), (16), or unconventional luxury mixed with mad comedians (17), Chang ran to it to (18), no mercy (19), Xu Yu Ganwu and hair, like a touch (20), each has to (21), non Gou (22) for carving words to gloss over with. Since the Tang Dynasty poet, led by Li (23), followed by Wang Jian and Wei Yingwu (24) (25), Han Hong (26), Bai Juyi (27), Liu Yuxi (28), Huangfu Song (29), Sikong Tu (30), Han wo (31), and the building (32). And Wen (33) the highest, its deep beauty was about (34). The five generation of the occasion, Meng (35), Lee (36), and (37), and is competing for new words, the mixed flow, thus. To their work (38), often peerless (39), but also as Qi, Liang, five characters (40), relying on Wei and Jin, near ancient also ran. Song Ci, No. heyday. However, Zhang (41), Su Shi (42), Qin (43), Zhou Bangyan (44), Xin Qiji (45), Jiang Kui (46), Wang Yisun (47), Zhang Yan (48), the yuan yuan between Wen Yan (49). The swing and counter (50), not proud (51), and the branch does not matter (52), Liu Yong (53), Huang Tingjian (54), Liu (55) and Wu Wenying (56), Aaron also cited the end (57), to take on the world. But before the child (58), and not have a word for the unconventional dissolute. In later times, Chi is followed by chi (59), not by means of the original meaning (60), and by the analysis of a good thorn (61), bad chaos and no discipline

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