影视知识一部分(Part of film knowledge).docVIP

影视知识一部分(Part of film knowledge).doc

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影视知识一部分(Part of film knowledge)

影视知识一部分(Part of film knowledge) The film was invented in the late nineteenth Century. In December 28, 1895, the French Louis Lumiere brothers first screened the audience in Paris, making the day the day of world cinema. The nature of film: 1., as the artistic appreciation of the mass literature and art style; 2., as the commodity of realizing the profit and expanding the means of reproduction; 3., as the tool of the ideological carrier. The two styles of film: The 1. documentary style: from the Louis Lumiere brothers show factory gate baby soup irrigated gardener film documentary about life. Emphasizing the true and objective reflection of the true features of life. 2. drama style: from the United States with the film on stage performance records, focusing on the scene of prosperity, twists and turns, star effect, the main film market style film. The main means of film performance: Montage: the combination of segments, and with the sound, to create a special movie space-time structure. Discovery and exploration of merry love in britain. The successful use of American Griffith in the birth of a nation. The film, Eisenstein gold will rise to Pufu montage theory.. The curry experiment, an expressionless face connected with the soup, the coffin village, and the childs picture, has a different effect. Montage emphasizes the function of editing. A variety of ways of expression, enhanced the performance of the film. Long shot: a continuous, uninterrupted performance of a moving surface for long periods of time, maintaining the integrity of the moving picture. This is a film aesthetics theory put forward by Barzun, a French film theorist, against the false caused by montage. Emphasizing the photographic nature of the film, emphasizing the authenticity of life. The role of film reviews: 1, film review is a scientific activity, a bridge between movie art and audience, and an important means to realize the three important values of film (art, society and economy). Foreign film

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