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Document
THE AUTOBIOGRAPHY OF MELANIE KLEIN
Transcribed and annotated by Janet Sayers, Canterbury, UK
with editorial notes by Janet Sayers1 and John Forrester
Introductory Notes
Melanie Klein was nearing the end of her life when, aged seventy-seven, she
worked on her autobiography. By then it was many years since her birth in
1882 in Vienna and since the start, in the early 1920s, of her pioneering work
in child psychoanalysis and her formulations concerning the pre-genital
origins of the Oedipus complex in love- and hate-driven fantasies about the
mother’s sexual coupling with the father. She had followed this, after settling
in 1926 in London, by defending her play technique against its criticism
by Anna Freud, and then by developing an innovative theory about symbol-
formation and its disruption, and about the infantile origins of depression
and defending against it with mania or paranoia.
Following the arrival of the Freuds in London in 1938 Klein and
her followers debated in controversial discussions in the British Psycho-
Analytical Society (BPAS) her theory that unconscious fantasy begins at
birth. These discussions were followed by the BPAS introducing three
separate trainings – Freudian, Kleinian and independent. In the post-war
period, Klein developed a theory of the paranoid-schizoid position and
the related defence of projective identification; these, together with her
theory of the infantile depressive position, were adopted by her immediate
´
JANET (NEE TOULSON) SAYERS is currently completing a biography provisionally
called Adrian Stokes, Art and Psychoanalysis . Her previous books include Mothering
Psychoanalysis (Hamish Hamilton, 1991), Freudian Tales (Vintage, 1997) and Freud’s
Art (Routl
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