当代陶艺关注现实社会题材-刍议《2008.5.12》和《生死时速》.pdfVIP

当代陶艺关注现实社会题材 ——刍议 《2008.5.12》和 《生死时速》 0 目录 摘要 关键词 ························ ·············1 摘要 关键词（英文） ··················· ··········2 引言 ························· ···················3 第1章 《2008.5.12》《生死时速》的创作背景 ···· ····4 第一节5.12汶川地震 ············ ····················4 第二节 2008.5.12》《生死时速》与灾难题材 ·········· ···6 第二章 《2008.5.12》《生死时速》造型语言及情感 ···· 7 第一节 从人物造型和表现的角度讨论 《2008.5.12》《生死时速 》 ···························· ······················7 第2节 从场景的再现与处理的角度讨论 《2008.5.12》《生死时速 》 ···························· ······················10 第三章 《2008.5.12》《生死时速》的展示方式 ······ ··12 第四章 艺术家如何在作品中反映社会责任 ········ ····13 参考文献 ······················· ·················15 致谢 ························· ····················16 摘 要 当代陶艺不仅仅是满足人们和社会的审美意趣和实用功能，更 重要的是要表现对这个世界和社会的多种认知，以及人们意识的流 动，作为一种纯艺术形式，用陶瓷材质作为创作手段来展示艺术家 个性、认识、审美、情绪、意念，不仅可以抒发自己的情感，更可 以与社会共鸣。在汶川地震的背景下，一大批的艺术家用自己的方 式表达着自己的情感，本文主要以孟福伟的 《生死时速》和 《2008 .5.12》这两部作品为主线，讨论作品的丰富的表现形式，如：创 作背景、造型语言、展示方式等，同时谈一谈灾难纪实的题材在艺 术创作中的意义。 关键词 表现形式 灾难题材 陶瓷材料 0 Abstract Contemporary ceramic art is not only satisfy people and social aesthetic interest and practical function.More important is to show to the world and the variety of social cognition, and the flow of people consciousness.As a form of art,use ceramic material as creation means to show individual character, knowledge, aesthetic artist, e-motions, thoughts,can not only express their emotions, can arouse resonance in social.In background of wenchuan earthquake,a large number of arts expressing their emotions in own ways.In the paper, the speed of life and death and the 2008.5.12 of MengFuWei both works as the main line to discuss the rich form in work.Such as, creating background, modelling lan