[文学]revised3.ppt

Chapter3Narrativeness and Lyricalness --Two Different Traditions Of  Chinese Poetry and Western Poetry Review Foot and Meter Shall I compare thee to a summers day? Thou art more lovely and more termperate: Tyger! Tyger! burning bright In the forests of the night. Thus I Pass by And die As one Unknown And gone: I’am made As shade And laid I’ th grave There have My cave Where tell I dwell farewell Rime Round the rocks runs the river. Spring, the sweet spring, is the year’s pleasant king, Then blooms each thing, then maids dance in a ring. Cold doth not sting, the pretty birds do sing. Laurel is green for a season, and love is sweet for a day. But love grows bitter with treason, and laurel outlives not may. Why should I have returned? My knowledge would not fit into theirs. I found untouched the desert of the unknown. The voice by Thomas Hardy Woman much missed, how you call to me, call to me, Saying that now you are not as you were When you had changed from the one who was all to me, But as at first, when our day was fair. Can it be you that I hear? Let me view you, then, Standing as when I drew near to the town Where you would wait for me: yes, as I knew you then, Even to the original air-blue gown! Or is it only the breeze, in its listlessness Traveling across the wet mead to me here, You being ever dissolved to wan wistlessness, Heard no more again far or near? Thus I; faltering forward, Leaves around me falling, Wind oozing thin through the thorn from norward, And the woman calling. 1.A comparison from the history of poetry Chinese historically lyrical tradition English historically narrative tradition Chinese historically lyrical tradition The Chinese poetry can be dated form the Book of Songs, which is one of six classics of the Confucian school and the fountainhead of Chinese literature, and which is the anthology of lyrical songs. This corpus of earliest pieces init