文物之光下的话语建构与不朽追求论翁方纲的金石诗.pdfVIP

政大中文學報 第二十八期 2017 年 12 月103-140 頁 文物之光下的話語建構與不朽追求  ─論翁方綱的金石詩  葉倬瑋 摘 要 清代乾嘉時期考據學大盛，許多文人都有金石之嗜，這種賞玩和研究 的心得流而為詩，催生了金石詩。現代的文學史一般採用了袁枚等性靈派 人士的評價，批評這種詩歌死氣滿紙、缺乏性情。本文細析翁方綱對廣州 九曜石考訂後寫出的金石詩，認為他有意與詠物詩分別開來，以新的物我 關係發展出新的創作方法，重新演繹了知識和文學的關係。當時，響應撰 寫考訂詩的人不少，也不乏讚賞考訂詩的聲音。本文認為，金石詩在當時 已經構成一個附帶政治權力的話語系統，參與者利用這種詩去完成自我想 像，在文物光耀的皇清盛世下尋求不朽可能。 關鍵詞：翁方綱、金石詩、九曜石、詠物、自我想像 2017/9/9 收稿，2017/11/13 審查通過，2017/11/21 修訂稿收件。  本文得到兩位匿名專家的評審意見，及學報編輯的細心校閱，對完善本文幫助至大。在修 繕文章期間，亦有賴研究生郭禹昆同學、張歡歡同學熱心幫忙檢查文獻資料。謹此致謝。  葉倬瑋現職為香港教育大學文學及文化學系助理教授。 104 政大中文學報 第二十八期 The Luster of Cultural Relics and the Immortal Pursuit: A Study of the Jinshi Poems by Weng Fanggang  Yip Cheuk-wai Abstract The textual research of cultural relics came into fashion in the Qianlong and Jiaqing Periods, while Jinshi Poems were written massively under this background. These poems were criticized by the Disposition School and Yuan Mei, which is generally accepted in literary history research recently. This article discusses the Jinshi poems written by Weng Fanggang, after he finished the textual research on Jiuyau Stone in Guangzhou. It is noted that Weng’s written approach and method are deliberately distinguished from object-chanting poem (Yongwu poem) in order to develop a new object-subject relationship for poem writing, and to present a new framework of knowledge and literature. At that time, such kind of poems was widely written and appreciated by litera