文体学课件7.ppt

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文体学课件7

Lecture Seven Style and Point of View Topics covered 1. style and point of view A. an introduction B. point of view: an illustration 2. approaches to point of view: Fowler-Uspensky model A. point of view on the ideological plane B. point of view on the temporal plane C. point of view on the spatial and psychological plane 3. Exploring point of view in narrative fiction A. positive shading B. negative shading C. neutral shading Style and Point of View An introduction: The perspective through which a story is told constitutes an important stylistic dimension not only in prose fiction but in many types of narrative text. Much of the feel, colour or texture of a story is a direct consequence of the sort of narrative framework it employs. A story may be told in the first person and from the viewing position of a participating character-narrator whose account of actions and events is the one we must share as readers. Alternatively, the story might be narrated in the third person by a detached, invisible narrator whose ‘omniscience’ facilitates privileged access to the thoughts and feelings of individual characters. However, we may encounter a kind of ‘restricted omniscience’ where a third-person narrator, though external to the action of the story, comes across as unable or reluctant to delve at will into the thoughts and feelings of characters. The umbrella term reserved for this aspect of narrative organization is point of view. Point of view in fiction Much has been written on point of view by stylisticians and narratologists so that there is now an increase of often conflicting theories, terms and models. The best way therefore to develop an introduction to point of view will be by going straight to a textual example from which some basic categories and principles can be acquired . Activity: Now read the following two paragraphs describing the arrival of a central character McHogan of the story, who came back from university to the rural village station in his hom

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