比较视域下中国油画审美形态研究-美术学专业论文 word格式.docx

Abstract: Since one hundred years ago, on the basis of introducing, learning western painting style, mixing with the local culture theme and the aesthetic tradition, Chinese oil painting has made its own factors different from the western factors of generating source. The general description of these factors on the basis of historical generation is one of the main targets of aesthetic morphology inspection. Under the research framework of aesthetic morphology, cultural history and the present modal has constituted the basic background of Chinese oil painting aesthetics research. Aesthetic form of Chinese oil painting is actually the cultural ecological system for a hundred year, under the background of Chinese and western cultural exchange history, its main research contents includes the following three aspects:The first is the history of Chinese oil painting and rheological descriptions ( free introducing and spreading at early time, concept and language unilateralization at medium term and the tendency of contemporary diversified values at present age).The second shows the research on the main types of Chinese oil painting aesthetics (includingtraditional realism, imagery and performance, modern ideas).The last is the analysis of Chinese oil painting aesthetics’ cultural identity composition (including language, image, ideas).The description of its history can be seen as the change of traditional Chinese painting in the past. It is adynamic process and the modal of a vertical description by summarizing the Chinese oil painting’s concept, language developments and its change under the different historical stages and the social cultural forms. During the process of learning, imitation, variation and innovation from the western oil painting, we see the Chinese oil painting now has its own independent choice in the aesthetic idea and language level. This part focuses on the content of the analyzing typical painters and their works, providing the basis to the follo