清代女性文学创作思想研究汇总.pdf

清代女性文学创作思想研究 摘要：清代是我国诗学理论建构形成的时代，也是中国女性文学空前繁荣的时代。 清代女性文学创作热情之高涨、创作队伍之壮大、创作数量之众多、创作体裁之 多样、创作思想之丰富，在中国女性文学史上是前所未有的。以徐灿、沈善宝、 顾春、吴藻、秋瑾等为代表的女性作家，在其诗文作品中，在其论诗诗、诗话及 诗文序跋中都体现出了丰富的文学创作思想，具有重要的价值和意义。 在文学创作心态上，清代女性虽然仍存在着“女子无才便是德”、“女子不 宜为诗”、“内言不出阃闺”的观念，但更多的女性积极肯定女性的文学创作，她 们认为“古来女子工吟咏，也冠周南第一篇”，言性情、写志节并不应以男女性 别而论。 在文学创作目的上，清代女性虽然多有“春朝秋夕，流连景光”之作，以附 庸风雅、自适自娱为旨归,但由于众多女性文学社团的出现和女性交往范围的扩 大，酬赠唱和类作品的增多，同时，随着女性意识的觉醒，表达“巾帼不让须眉”、 “英雄儿女原无别”之志的作品也随之增多。 在审美思想上，清代女性依然固守着“温柔敦厚”的文学传统，讲求雅正和 平，乐而不淫，哀而不伤，但也出现了直抒胸臆、率情挥洒、慷慨豪迈的作品。 清代女性的文学创作思想随当时诗坛及诗学思想的发生发展而变化，女作 家徐灿对“世事人生”的抒写、吴藻对“性情之正”的秉持，秋瑾对“朗丽新 风”的开拓，正可代表清代前期、中期、后期女性文学作品中所体现出的创作 思想的不同，这些也为当代女性文学创作的各种思想之流变提供客观可信的理 论依据。 关键词：清代女性；创作思想；审美风格 Study of the Qing Dynasty Womens Literary Creation Thought Abstract: Qing Dynasty is an age when Chinese poetic theory construction was formed and Chinese female literature was more prosperous than ever. Women in the literature of Qing Dynasty had some characteristics: high enthusiasm, increasing number of female writers, enormous works, various styles, abundant thoughts, which have not yet appeared in the female literature history. As the representative of female writers, Xu Can, Shen Shanbao, Gu Chun, Wu Zao, and Qiu Jin had rich thoughts of literary creation in the verse of poetry theory, poetry and prose prefaces. It has important value and significance. In the mind of literature, there were some notions such as “A woman without talent is virtuous”, “Women should not compose poems”, “Women were not permitted to communicate with the outside world”, but more women affirmed positively womens literature. They thought chants, which women chanted, was the best in Zhounan and gender should not be the sole criterion in the process of expressing temperament and writing ambition and good behaviors. Wo