浅谈龙门造像书法.docVIP

浅谈龙门造像书法 美术与工艺设计系 目 录 中文摘要……………………………………………………………………………1 英文摘要……………………………………………………………………………2 引 言……………………………………………………………………………3 第一章、魏碑概述 ………………………………………………………………3 第二章、学习方法…………………………………………………………………4 2.1“拟之者贵似” …………………………………………………………4 2.2“化古为我” …………………………………………………………5 第三章、连笔现象研究 …………………………………………………………6 3．1“连笔”举例 …………………………………………………………6 3．2“连笔”现象初步剖析…………………………………………………6 3．3 “连笔”之美… ………………………………………………………6 结 论……………………………………………………………………………11 致 谢……………………………………………………………………………12 参考文献……………………………………………………………………………13 附 图……………………………………………………………………………13 浅谈龙门造像书法 摘要：魏晋南北朝是书法的重要发展时期。魏碑书法形式多样，内容丰富，已经达到了较高的水平，尤以龙门造像书法最具代表性。龙门造像书法以楷体为主，但这种楷书不同于唐代成熟的楷书，其用笔法度没有完全建立，不乏败笔和死板方正之作，因此对魏碑造像记的学习，不可全盘兼收，而应该在吸取精粹的同时，发挥理性的作用，对其不当之处加以雅化处理，在“拟之贵似”的基础上，努力追求“化古为我”。此外，在龙门造像书法中，还有一些独特的用笔现象，如连笔的使用，不仅表现出行书的笔意，还可避免较多雷同的线条，应该引起我们的重视。 关键字：造像记　书法　魏碑 Dragon statues of Chinese calligraphy Abstract: The Wei and Jin is an important period of development of calligraphy. Stone Inscriptions of the Wei, Jin and Southern and Northern Dynasties Calligraphy various forms of calligraphy, rich in content, has reached a high level, particularly in calligraphy, the most representative imaging gantry. Longmen Sculptures in italics mainly of calligraphy, but the script is different from the regular script of the Tang Dynasty mature, the pen Fadu not completely established, there is no lack of failure and for the rigid side, so remember Stone Inscriptions of the Wei, Jin and Southern and Northern Dynasties Calligraphy imaging studies, can not be completely integrated, and should be at the same time learning from the best to play the role of rationality, its inappropriate treatment of Blair to the "may be of your" on the basis of efforts to pursue "of the ancient to me." In addition, calligraphy statues in Longmen, Use a pen and some unique phenomena, such as the use of even the pen, not only intended to pen travel book, but also to avoid more of the same lines, should arouse our attention. Key words: I