10.後现代主义艺术的先声I：观者之生─低限艺术1201.pptVIP

Larry Bell, Untitled (1965) Foster, Hal. The Return of the Real. Cambridge: MIT Press, 1996 Frank Stella, Nunca Pasa Nada (1964) /photosN00/1533430400/ Frank Stella, Takht-i-Sulayman 1 (1967) /collection/browse_results.php?criteria=O%3AAD%3AE%3A4587page_number=6template_id=1sort_order=1 Robert Ryman, Winsor 6 (1965) /images-tita67/ryman.jpg Robert Ryman, Untitled (1959) /art21/slideshow/artists/r/ryman-019.jpg Donald Judd, Untitled (1963) /visit/collection_object.asp?key=32subkey=2684 Donald Judd, Untitled (1968) /photos/kurmisDonald Judd, Untitled (1963) /visit/collection_object.asp?key=32subkey=2684 Donald Judd, Installation of Judd’s Work at the Green Gallery, New York (1963) Wood, P. Franscina, F., Harris, J. Harrison, C. (1993), Modernism in Dispute, art since the forties, New HavenLondon: Yale University Press. Larry Bell, Untitled (1965) Foster, Hal. The Return of the Real. Cambridge: MIT Press, 1996. Dan Flavin, Diagonal of May 25 (1963) ttp:///collection/browse_results.php?criteria=O%3AAD%3AE%3A1911page_number=3template_id=1sort_order=1 ?Dan Flavin, Monument for Tatlin (1966) .uk/servlet/ViewWork?cgroupid=999999961workid=4484searchid=8570 Dan Flavin, Untitled (to Tracy, to Celebrate the Love of a Life Time)(1992) /new-york/about/guggenheim-images/show-full/piece/?search=Dan%20Flavinpage=1f=Artistcr=4 Installation of Exhibition at the Green Gallery (1964) /review/wp-content/uploads/2008/03/morrisinstallgreengal61hq.jpg Walter de Maria, Bed of Spikes (1968-69) /demarialist.html Richard Serra, Titled Arc (1981) /magazineus/features/kuspit/kuspit7-16-07_detail.asp?picnum=5 Richard Serra, Titled Arc (1981) /photosN05/2325654502 Richard Serra, Titled Arc (1981) /2010/04/serra-tilted-arc.jpg Maya Lin /Ki-Lo/Lin-Maya.html Maya Lin, Vietnam Veterans Memorial (1982) /autodoc/photocredit/achievers/lin0-029 Maya Lin, Vietnam Veterans Memorial (1982) Chadwick, Whitney, Women, Art, and Society, Thames and