印象主义时期音乐创作分析——以德彪西 拉威尔两位作曲家为例-analysis of music creation in impressionism period - taking debussy ravels two composers as an example.docxVIP

KeyWords：CreationcolourharmonytonalitypolyphonyorchestrationMusicalform目录内容摘要...........................................................................................................................3ABSTRACT4KEYWORDS5目录...................................................................................................................................6引言...................................................................................................................................1第一章印象主义音乐的起源及其风格特征.................................................................31.1印象主义音乐的起源.............................................................................................31.2印象主义音乐的创作特点.....................................................................................41.3格里格对印象主义音乐的影响.............................................................................4第二章印象主义时期代表作曲家生平与作品分析.....................................................62.1德彪西生平与作品简介..........................................................................................62.1.1管弦乐《牧神午后前奏曲》分析..................................................................82.1.2两首前奏曲分析............................................................................................122.1.3德彪西音乐创作分析的总结........................................................................192.2拉威尔生平与作品简介.....................................................................................202.2.1为钢琴套曲《图画展览会》的配器............................................................222.2.2钢琴曲《帕凡舞曲—为夭亡的公主而作》分析........................................272.2.3拉威尔音乐创作分析的总结........................................................................30第三章德彪西与拉威尔音乐创作的比较...................................................................33第四章印象主义音乐对现代音乐的影响和发展.......................................................36结语.................................................................................................................................39参考文献...........................