Metaphorical Account of Death in Dickinson’s Poems 隐喻视角的艾米莉.狄金森诗歌死亡主题的解读.docVIP

Metaphorical Account of Death in Dickinson’s Poems 隐喻视角的艾米莉.狄金森诗歌死亡主题的解读.doc

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Metaphorical Account of Death in Dickinson’s Poems 隐喻视角的艾米莉.狄金森诗歌死亡主题的解读

Metaphorical Account of Death in Dickinson’s Poems 隐喻视角下的艾米莉.狄金森诗歌死亡主题的解读 Acknowledgements Many thanks first go to Professor Wang Bin, my respective supervisor, who inspired my interest in cognitive linguistics from the very beginning. His influence on me and my work is tremendous. I am greatly indebted to him for his careful guidance and illuminating instructions throughout my study. He has provided me with tremendously useful material and given me informative suggestions and helped me overcome the difficulties with strict requirements and benevolent understanding during the whole process of my thesis writing, from the selection of the topic, the making of the proposal and the construction of the theoretical framework, to the painstaking modification of the earlier drafts. Without his guidance and encouragement, the completion of this thesis would not have been possible. I also owe great gratitude to other distinguished professors, such as Professor Dai Weihua, Assistant Professor Jin Wenlin and etc. My appreciation also goes to Shanghai University of Science and technology which has offered me valuable resources of teachers, lectures, references and academic nourishments giving me much inspiration to better my study. I would like to thank my roommates who have given me help from them I have learned a lot of valuable experience. Finally, I also owe great gratitude to my families, especially my dear wife, who has supported me both with finance and understanding from the very beginning to the end of this thesis. 艾米莉.狄金森死亡诗歌的概念隐喻分析与解读 摘要 C. Lewis曾说过,隐喻是诗歌的生命,是诗人的主要文本和荣耀。没有隐喻,也就没有诗歌。作为美国最伟大的女性诗人,艾米莉.狄金森的诗歌充分的反应了这一观点。 本篇论文依据莱考夫和约翰逊的概念隐喻理论为理论基石和研究视角,对女诗人的死亡诗进行认知解读;从艾米莉诗歌创造的实践和对死亡的哲学思考,作者从中得出文化创造是人类超越肉体死亡的一种方法,对于艾米莉.狄金森来说,她的不朽或永恒就在于她的诗歌里。因此我们就不难理解她终生隐遁生活,其目的有二,其一是为了腾出更多的时间与经历去进行诗歌创造;其二是隐遁使的艺术生命获得了再生。概念隐喻贯穿全文,为本篇论文的理论红线。考虑到诗人的诗歌浩如烟海,作者仅对诗人的典型作品进行认知解读,并把她的死亡诗歌划分为三类,分别是对死亡的恐惧与彷徨,直面死亡以及超越死亡。这样做的是因为诗人对死亡的认识是一个动态的上升的过程,其目的是通过步步分析最终得到诗人的理想境地—超越死亡获得永生。 在具体分析研究中,作者从她的诗歌中提炼出几个

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