徐复祚戏曲实际与创作研究.pdf

摘要 徐复祚是明代一位有着鲜明个性和深刻思想的戏曲作家和戏曲理论家，但是 由于僻居乡野、布衣终生的人生经历，他的作品只留存下来很少的一部分，给后 来的研究造成很大障碍。目前学术界对徐复祚的研究存在很多缺陷和疏漏，本文 试图在前人研究成果的基础上，进一步挖掘他的生平资料，全面审视和研读他的 作品，重点分析他的戏曲理论以及传奇和杂剧的思想内容、艺术特色，从而对他 做出客观的评价。 引论部分梳理有关徐复祚及其戏曲研究的历史和现状。第一章，叙述徐复祚 的生平、交游与著述，将其一生分为三个时期：出身官宦之家，少年时有才名； 成年以后参加科举考试，被牵扯进科场舞弊案，受累十余年。其间又遭遇家族纷 争，家道中落，从此绝意仕进，寄情词曲；晚年境况凄凉却笔耕不辍，不但继续 进行戏曲作品的创作，而且还留下了颇具价值的曲论著作。第二章，论述徐复祚 的戏曲理论。本章分别从“本色当行说”、“结构论”、“寓言说”、“功用说”四个 方面具体探讨徐复祚的曲论主张。第三章，分析徐复祚的传奇创作。徐复祚现存 传奇共三部，以《红梨记》成就最高，本文探讨该剧的思想内容和艺术手法，并 从它的故事源流入手，比较它和元杂剧《红梨花》的优劣异同。另两部传奇《投 梭记》和《宵光记》，或以男女爱情离合演绎兴亡之迹，或借历史故事抒发个人 忧愤，也都独具特色。第四章，分析徐复祚的《一文钱》杂剧。《一文钱》是徐 复祚现存唯一一部杂剧，讲述吝啬鬼卢至的故事，揭露了守财奴的贪婪和金钱对 人的异化，反映了明末的社会现实，是明代讽刺杂剧的精品。该剧在艺术手法上 也有诸多出色之处，主要表现在情节构思、人物塑造、讽刺手法的运用等方面。 结语部分对徐复祚及其戏曲创作的历史地位进行评价,徐复祚其人其作虽然存在 缺点和不足，但在晚明剧坛，他仍然是一位值得肯定和重视的戏曲大家。 关键词：徐复祚；生平；戏曲理论；传奇；杂剧 II Abstract Xu Fuzuo is a dramatist and dramatic theorist who has distinguished character and profound idea in the Ming Dynasty. Through the secluded and plain living, the remain of his work was rare. It makes a great impediment to further study. Until now, thoroughgoing studies on his works have not been made in the academic circles. This paper will make full use of the researches done by the predecessors; contact his background of the activities, to make a systematic study and reading of his writings and to make a research into his creative theory of drama as well as the implications and the characteristics of his zaju and romance. The introduction looks back the history and present dramatic study on Xu.Fuzuo Chapter one deals his life, friends and his works. Xu Fuzuo’s life is divided into three periods .He was born from a government official family; early youth own reputation of artistic talent, then he took part in the imperial examinations when he become adult,