新历史主义视域下的姜文片子.pdfVIP

摘 要 论文共分为三个部分： 第一部分：本文从“历史诗学”入手，叙述了“新历史主义”的缘起、发展， 以及在“中国版”新历史主义的影响下，我国新时期文学艺术实践的大致状况。 文章第二部分是对姜文电影的简要介绍，姜文大多是以演员的身份出现的，他是 “演而优则导”的典型，这种特殊的身份，使他导演的电影与众不同，除此之外， 姜文导演的电影都跟历史有关，且在工业化、商业化气息漫溯的今天，他的电影 仍有其一贯坚持的艺术品格和精神指向。第三部分也是论文的核心部分着重在 “新历史主义”的视域下具体分析姜文导演的三部电影，它们分别是《阳光灿烂 的日子》、《鬼子来了》、《太阳照常升起》。本部分分别从“文本的历史性和历史 的文本性” “单线历史的复线化和大写历史的小写化” “客观历史的主体化” “必然历史的偶然化” “凸显边缘意识形态” “姜文电影新历史观传达的成功 与失败”等新历史批评的角度具体探讨姜文电影，并对姜文第三部电影《太阳照 常升起》中“新历史观”传达的失败之处作了较为具体的分析论述,以期对新历 史主义和姜文电影都有一个更加具体、深入的认识,从而对历史有一个明确的、 深刻的认识。 关键词：姜文电影；新历史主义；历史；历史诗学；新历史观 IV Abstract The thesis was divded to three parts: The first part started from the poetics of history,narrated the origin and development of the new historicism and the general state of arts practice at new time under the influence of Chinese new historicism in China.The second part introduced the movies directed and acted by Jiang Wen briefly. Jiang wen was an actor commonly , but an representative director of who developed as an actor then became a director.The particular experiences made his movies with differences. In addition, movies directed by Jiang Wen had relationship with history, and still insisted on showing the artistic personality and the spiritual ambition as usual in the air of industrialization and commercialization. The third part was the core of the paper.It concrete studied three films directed by Jiang Wen from the perspective of the new historicism emphatically.They were In The Heart of The Sun , Devils