曾国藩的古文实际和创作实践.pdf

摘 要 本文以《曾国藩的古文理论和创作实践》为题，对曾氏的古文理论和创作进 行总体考察，进而分析曾氏古文的影响。 全文分为五部分：导言、结语和正文三部分。 导言部分叙述论文写作缘由、思路、目标和方法等，并对当前的研究现状进 行综述。 第一章论述曾氏的古文理论。从曾氏古文对桐城派的继承和发展的角度系统 整理曾氏古文理论，从内容、语言及结构、风格三方面展开发展性的动态论述。 具体来说，即是“经济”说、“文气”说和“阳刚之美”：在桐城派“义理、考据、 辞章”的基础上增添了“经济”的说法；在桐城派 “阴柔”与“阳刚”风格说的 基础上，主张“光明俊伟”的“阳刚”之美；在桐城派“神气”说的基础上，提 出“行气为文章第一要义”。 第二章分析曾氏古文作品。重点从曾氏文集中占主要分量的传记、序两种文 体来分析曾氏古文内容和艺术上的特色。曾氏古文作品数量不多，但是文集中收 录的每一篇都很优秀，此章系统研究曾氏古文本身，从而总结出曾氏古文创作规 律性的东西。 第三章论述曾氏古文的影响。从曾氏古文增强了古文实用性和对现代文学的 启发作用两方面进行论述。 最后是结语，对曾氏古文的成就进行总结性的评价。 关键词：曾国藩；古文理论；古文创作 I Abstract Starting with the topic of the prose theory and creation of Zeng Guofan, the thesis makes an investigation on the prose theory and creation of Zeng Guofan . The thesis is constituted of five parts: introduction, epilogue, and three chapters in text. The introduction makes a summary on the current research, and discourses the cause, train of thought, objection and the research methods as well. The first chapter discourses the prose theory of Zeng Guofan. The article discusses the inheritance and development of Zeng Guofan to the prose theory of Tong Cheng School from three aspects such as content, language structure, and style.Specifically, that is “Jingji” “Wenqi”and“Yanggang”. Based on Tong Cheng School’s “Yili”, “Kaoju”and “Cizhang”, Zeng Guofan put forward “Jingji”. Based on Tong Cheng School’s styles of “Yinrou”and “YangGang”,he emphasized the bright, handsome and great qualities of masculine beauty; at last he put forward “Qi”, which is the most important element of all. Chapter II discourses the creation of Zeng Guofan. The article chiefly expounds the preface and the inscription which accouters for the main part o