由绮靡清省向清丽的演进论六朝诗歌发展趋势.pdfVIP

论文摘要 关于六朝诗歌发展趋势，学界一般以“绮靡”来说明。这一说法 有其道理。中国诗歌从建安开始走向自觉，这自觉的一个重要标志， 就是人们越来越注重排比、对偶、声律、词采等形式特征，绮靡的倾 向逐渐明显。陆机提出“诗缘情而绮靡”，标志着人们终于在理念上 对诗歌艺术的内容与形式两方面作出了明确界定。但是，换个角度看， 我以为“缘情绮靡”也许并不能够真正说明六朝诗歌的实质。因为就 在陆机提出此见解的同时，诗坛仍然有潜流的存在，那便是陆云提出 的“清省”说。这一认识的存在，它使得诗歌的格局没有单一化地朝 绮靡方向发展下去，而是在两种思潮的交错、斗争与融合之中丰满起 来。此际，玄学思想的注入也呼唤着诗歌朝“清”的方向发挥和延续。 于是，诗歌一方面吸纳了“清”的因素，另一方面也保持者对声律、 词藻等绮靡的追求，从而孕育出“清丽”的诗歌观念，这为盛唐诗歌 的繁荣奠定了基础。本文的研究就是把诗歌内部的这种流变给以重新 析理，以引起大方之家的关注。 关键词 绮靡 清省 清丽 3 Abstract About the the Six Dynasties poetry development tendency, theeducational world generally showed by the ornate. This view has its truth. The Chinese poetry starts from Jianan to move towards determination, a aware important symbol, is the people more andmore pays great attention to the parallelism, the antithesis, form characteristic and so on literary elegance, the ornate tendencygradually is obvious. Lu Ji proposes the poem reason sentiment butthe ornate, symbolized the people finally made in the idea to thepoetry art content and the form two aspects have been clear about thelimits. But, trades an angle to look that, I thought perhaps thereason sentiment ornate certainly cannot truly explain the the SixDynasties poetry the essence. Because on while Lu Ji proposed thisopinion, the poetic world still had dives the class existence, thatthen was Lu Yun proposes clear province to say. This understandingexistence, it enables the poetry the pattern simplification not todevelop towards the ornate direction, but is interlocks, during thestruggle and the fusion in two kind of ideological trends plentifullygets up. This occasion, the metaphysics thought pours into alsosummons the poetry dynasty is clear