耶利内克作品中的女性批评认识.pdfVIP

摘 要 摘 要 埃尔弗里德·耶利内克是一位杰出的德语作家，她的诸多作品都以女性为主要对象， 描写女性形象、女性生存状况、为现实所不容的追求等。耶利内克作品中的的女性批判 意识主要集中在她的五部作品中：《逐爱的女人》批判了社会婚恋观，在父权制文化积 弊下，女性以婚姻作为获取地位的唯一途径，女人没有可依靠的价值体系；《娜拉离开 丈夫以后，又名“社会支柱”》作为女权主义者的宣言，从现实入手，批判女性不能获 得自主地位的现实原因；《钢琴教师》及《情欲》作为耶利内克名声最大的两部作品， 以两性间的“性”作为战场，揭示出了猎者与猎物间根深蒂固的秩序；《死亡与少女》 以六位公主死而复生的情节，对男性审美标准进行批判，在“生死”、“真理”的讨论中， 将女性问题上升到了哲学高度，以寻求真理比喻女性抗争。五部作品跨越了耶利内克创 作的三十年时间，梳理这几部作品，我们可以发现耶利内克的女性意识从最开始的偏颇 表达、到激进的女权者宣言，到不断试验探索，最终形成了独具个性特色的艺术风格。 关键词 埃尔弗里德·耶利内克 女性意识 批判 I Abstract Abstract Elfriede Jelinek is an outstanding German writer, many of her work make the female as the main object, descript female images, womens survival condition, the pursuit which is not reality. The criticize of Elfriede Jelinek’s feminism mainly concentrated in her five literary texts:Die Lebewohl criticize the social love concept , under the patriarchy culture, female make the marriage be the only way to obtain status, woman not have her own value system; Was geschah,nachdem Nora ihren Mann verlassen hatte oder Stiitzen der Gesellschaften ,as a feminist manifesto, starting from reality, criticism the practical reasons of women cannot obtain independent status; Die Klavierspielerin and Lust as the Jelinek’s two of the famous works, In between the sexes sex as a battlefield, revealed the ingrained order between chaser and prey.Der Tod und das Madchen with The plot of six princess resurrected by death, criticizes the aesthetic standards of men, In the discussion of life and deathand truth, rose the female problem to the philosophy height, to seek truth parable women fight. Five films across the Jelinek’s creation thirty years time. Study this several works,