笔情墨韵,物化同心——“四君子”在传统绘画中的人格美研究-mo yuns writing style, materialization and concentricity - a study on the personality beauty of.docx

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笔情墨韵,物化同心——“四君子”在传统绘画中的人格美研究-mo yuns writing style, materialization and concentricity - a study on the personality beauty of.docx

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笔情墨韵,物化同心——“四君子”在传统绘画中的人格美研究-mo yuns writing style, materialization and concentricity - a study on the personality beauty of

目录摘要·······················································································································IAbstract·····················································································································II引言1一、“四君子”题材在中国绘画史中的发展概况······················错误!未定义书签。1、梅兰竹菊“四君子”的由来........................................................................................................12、“四君子”题材在宋代独立成科..................................................................................................23、元代“四君子”画开始流行........................................................................................................34、明清两朝“四君子”题材达到繁盛...........................................................................................35、民国以来描绘“四君子”之风至今不衰..................................................................................4二、梅兰竹菊的人格美···························································································41、“四君子”被人格化的哲学基础..................................................................................................42、“四君子”被人格化的外在因素..................................................................................................53、“四君子”题材的人格化表现......................................................................................................6（1）梅，铁骨铮铮，傲寒独放..............................................................................................6（2）兰，幽香山野，独具魅力..............................................................................................7（3）竹，吟风诵月，潇洒一生..............................................................................................8（4）菊，迎霜独放，淡泊名利..............................................................................................94、“四君子”的人格内涵有时代特性...............................................................................................9三、“四君子”的人格美在绘画中的体现····························································101、画梅讲“骨”：刚劲流畅，风骨翩然.................................