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本雅明视觉文化理论分析-an analysis of benjamins visual culture theory
intertwined with each other, showing a heterogeneous colour in the theories. Benjamin depicts and describes the numerous visual representations in poetic language for us. Although Benjamin does not directly use the term of “visual culture”, he surfaces in the forefront of his age,and is keen to the spirit of cultural development.In theory and practice, he has made the best response and retrospection to his time. There is no doubt that these explorations provide a valuable guidepost which is beneficial for contemporary visual culture studies. This thesis is composed of introduction, body and conclusion, in which the body is divided into three chapters. Introduction briefly combs the current situation of research on Walter Benjamin both at home and abroad, and elaborates the purpose of this paper, methods of research and theoretical significance. The first chapter focuses primarily on the visual characteristics of visual culture, and discusses the intrinsic relationship between visual culture and Benjamin. Basing upon the perspective of the aura and the tremendous power in visual technology, the second chapter analyzes Benjamins thoughts of poetics strategy in visual culture.Chapter Three bases on dialectical image, from three dimensions, namely, the vision and aesthetic redemption, vision and consumption, vision and power, Benjamin explores the comb and mastering by Benjamin in the cultural representation of visual image. Finally based on the above discussion, the paper proposes a construction of Benjamin Visual Cultural Poetics and its possibilities, and also explores the influence and inspiration for literature and art in Benjamins visual culture theory. Keywords: Walter Benjamin; Visual Culture; Aura; Dialectical Image; Aesthetic Redemption原创性声明 本人声明兹呈交的学位论文是本人在导师指导下完成的研究成 果。论文写作中不包含其他人已经发表或撰写过的研究内容,如参考 他人或集体的科研成果,均在论文中以明确的方式说明。本人依法享 有和承担由此论文所产生的权利和责任。学位论文作者签名:日期: 学位论文版权使用授权声明本人同意授权华侨大学有权保留并向国家机关或机构送交学 位论文和磁盘,允许学位论文被查阅和借阅。论文作者签名:指导教师签名: 签 名 日 期:签 名
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