莫扎特钢琴奏鸣曲的歌剧性因素——以作品k281为例-the operatic factors of mozarts piano sonata - taking work k281 as an example.docxVIP
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莫扎特钢琴奏鸣曲的歌剧性因素——以作品k281为例-the operatic factors of mozarts piano sonata - taking work k281 as an example
西安音乐学院硕士论文
西安音乐学院硕士论文 摘要
万方数据
万方数据
摘 要
沃尔夫冈·阿玛多伊斯·莫扎特(Wolfgang Amadeus Mozart,1756 年 1 月 27 日-1791 年 12 月 5 日),维也纳时期的奥地利作曲家,是一位多产的作 曲家,他所创作的作品几乎涵盖所有音乐体裁。他的各种体裁在音乐史上都有其 经典之作。
歌剧是莫扎特最杰出的创作领域,大量的钢琴作品在西方钢琴艺术史上也 独树一帜。他的作品在歌剧中形成音乐特点,在纯乐器中得到再现和发挥。他的 不同音乐体裁从风格,艺术特点,听觉感受等方面都有相同和相似之处。因此笔 者从莫扎特钢琴奏鸣曲中存在的歌剧性因素来分析。首先比较歌剧和钢琴奏鸣曲 的创作织体,发现其共性,以他的歌剧创作织体来分析其音乐特征,并体现在他 的钢琴奏鸣曲中;再以歌剧的形态类型为切入点,研究它们的特点,通过实例分 析比较它们的音乐特征,并发掘歌剧和奏鸣曲在音乐中表现手法和内容上的相同 之处,以歌剧作品中最典型的几个实例来做比较。最后对如何把握钢琴奏鸣曲的 演绎做出了详细阐述。笔者意图从歌剧因素这一角度对钢琴奏鸣曲进行分析,这 对演奏莫扎特钢琴奏鸣曲有着重要意义。
关键字
莫扎特;奏鸣曲;歌剧因素;演奏特点;演奏风格
I
西安音乐学院硕士论文
西安音乐学院硕士论文 Abstract
Abstract
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) an Austria composer during the period of Vienna. He is a prolific composer, his works cover almost all the music genre. In the history of music, each genre has its influential classic works.
The opera is his greatest creation field, many works for piano has become an independent school in the western piano art history. His music form characteristics of music in opera, reproduced and play in instrumental form. Considering the style, artistic features, hearing feelings, his music style are interlinked. So the author studied from the aspect of Mozarts opera, the creation of Piano Sonata texture and the opera types. At first, the author finds out their common features by comparing of the opera and the creation of Piano Sonata texture, analyzes the music characteristics from his opera creation of texture, and affects the creation of the sonata. Secondly, the author studies their characteristics from the types of the opera as the breakthrough point, compares their music characteristics by analyzing the examples, finds the similarity in the technique of expression and content between the opera and Sonatas, studies the most typical examples of the opera works, these musical features have influence on rhythm and touch keys when playing piano sonatas. Therefore, the author intends to analyze the piano sonata from opera factors, it has an importa
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