天平样式的形成——兼论唐佛造像对天平佛像的影响-the formation of balance style - also on the influence of tang buddha statue on balance buddha statue.docx

万方数据 万方数据 摘 要 中文摘要 天平时期的佛教造像在日本雕刻史上有着“黄金时代”之称，从其所处的奈良时代（710—784 年）一 直传承至今，在今日本奈良市仍较完好地保留着当时的寺院及其佛像雕刻。根据各寺院财产记录和日本官 方史籍记载，有明确纪年及可认定为该时期的作品已近百件，特别是奈良的东大寺、药师寺与唐招提寺的 佛教造像，深受中国唐朝佛教造像样式的影响，为世人进一步认识日本天平时代的佛教艺术面貌提供了珍 贵的实物资料。本文在前人研究的基础上，结合实地考察，对日本天平佛教造像的风格及其与唐佛造像的 关系予以探析。 文章主要包括三个部分。第一部分，概述了天平佛教造像对前代即白凤时代佛教造像样式的继承。第 二部分，着重探讨唐佛造像样式对天平佛像样式的影响。依据遣唐使等文化中介的历史轨迹，将天平佛像 与中国典型的唐佛造像进行风格分析和比对，以明确天平佛像艺术样式的具体来源。第三部分，阐述了天 平造像制作上运用的干漆（夹纻）工艺，并集中论述其风格样式及其形成、发展过程中的艺术特征，其中 亦对药师寺金堂的药师三尊像进行了时代所属的判断和辨析。 全文对日本天平佛像的风格及渊源予以探究，以期明晰日本奈良时代，佛教艺术是如何传承中国本土 及有选择性地吸收外来因素以形成独特的风格面貌，并奠定日本佛教造像艺术的基本模式。 关键词：日本 奈良 天平样式 佛教造像 唐朝 I 南京艺术学院硕士学位论文 Abstract The Tenpiou Buddhist sculptures in the history of Japanese sculpture is called golden age. They are heritaging from Nara Times, the Nara city today still largely retains its carvings of the Buddha temple of Nara Times, and other regions also retaine a small amount of Tenpiou Buddhist sculptures. According to each temples property records and Japanese official historical literature records, there are clear or being identified for this period dating works which have been nearly a hundred pieces,Especially the Buddhist sculptures of the Temple Todaiji, Yakushiji and Toshodai which preserved in the city of Nara are headed, they are deeply influenced by the style of Chinese Tang Dynasty Buddhist sculptures, it can provides valuable materials for us to further understand the world of the Buddhist art of Japans Tenpiou . This paper will conduct a research on the style of Tenpious Buddhist sculptures excavated in Nara area and explore the relation between Chinese Tang Dynastys Buddhist sculptures. The thesis is divided into three parts. The first chapter gives a view on Buddhist history before Tenpiou Times and describes the basic situation of the Tenpiou Buddhist sculptures which inherited the style of the Buddhist sculptures of the previous generation called Hakuho. The second chapter focuses on the relation between the styles of Chinese Tang Dynastys Buddhist statues and