线条的吼叫——浅析a.r.彭克绘画作品中的人形-roar of lines - analysis of human figure in a r penkes paintings.docxVIP

汕头大 汕头大学硕士学位论文 线条的吼叫——浅析 A.R.彭克绘画作品中的人形 I万方数据 I 万方数据 摘 要 德国新表现主义艺术家 A.R. 彭克透过独特的战争经历和政治背景，通过对 原始艺术元素的借鉴，对符号学、控制论的应用，对传统的反叛以及对制度权利 的不盲目跟从，无畏的探索，最终形成了自己独具风格的绘画语言风格，成为新 表现主义中重要的代表之一。在他的绘画语言中，那个线条杆状式人形在画面中 是最引人关注的——他以简单的涂鸦即兴勾勒出那吼叫般的线条、夸张的四肢、 手势以及动作，结合环境中的其他符号语言构成画面丰富的意味，强有力地表现 出支配人类的那些原始的真实的欲望与潜在的心理意象。本文从概括其独特的绘 画风格的形成出发，进而着重分析其绘画中的线条人形，借此揭示其个人精神内 在表达及其对人类精神命运的关怀。他作品中探索实践的发展和独具风格的线条 人形对当代的艺术创作具有可借鉴性和启示性。 关键词：A.R.彭克绘画；原始线条；人形；终极关怀 II II 万方数据 ABSTRACT A.R. Penck, the object of this study, was one of the most representative Germany New-Expressionism artist. He formed his unique artistic language by mirroring painting elements from primitive art, studying theories of Semiology and Controlling as well as being inspired by experiences of war. In his painting language, the rod-shaped figure was the most eye-catching one. It features simple but powerful scrawls of figures with its exaggerated arms and legs, gestures and motions, which impresses the viewers as a figure of roaring. Together with other symbolic elements, those figures formed rich artistic conception, forcefully expressing those dominating primitive lust and latent psychology of human beings. This paper is mainly discussed by two parts. The first part explores the formation of Penck’s artistic language while the later focuses on the analyze of the rod-shaped figure, from its color-use, line-use and image modeling. Through the studies of rod-shaped figures, expressions of intrinsic feelings and spirits was explored, which further enlightens the creation of contemporary art. Keywords: the paintings of A.R. Penck; the original line; figure painting; Ultimate Concern 万方数据 万方数据 目录 摘 要 I ABSTRACT II 目录 III 1 绪言 1 1.1 选题研究的对象与目的 1 1.2 先行研究的概况 1 1.3 选题研究的创新点 1 1.4 选题研究的方法和思路 2 2 A.R.彭克 绘画风格的形成 2 2.1 战后德国艺术风潮 3 2.1.1 社会政治背景 3 2.1.2 重回架上绘画，探索德意志根基文化 5 2.1.3 原始艺术——从远古寻找精神力量 6 2.2 对符号学和控制论的研究 8 3 A.R.彭克 绘画作品中独具意味的线条人形 9 3.1 黑色与红色的应用 9 3.2 人形中吼叫的线条 11 3.3 形象造型意味分析 14 3. 4 个人英雄主义情结与对人类精神命运的探求 17 4 对当代的艺术创作启示 18 4. 1 对当下的启示 18 4