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沉思的智者———关于莫兰迪的思索-meditating wise men —— thinking about mo landi
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摘要
莫兰迪是 20 世纪意大利具象绘画中最特立独行的人物。他始终坚守着对具象艺术的追 寻,执着的投身于单一的绘画主题,虔诚的以修士般的热忱奉献给他挚爱的艺术,以自己 独特的方式诠释着他对这个可见世界的沉思,可以说他是艺术探索之路上一位真正的智 者。20 世纪末,他艺术中的古典元素和在艺术革新上的价值被后世重新认识且愈来愈受到 关注和重视,他的艺术与当时西方流行的各种艺术景象有着鲜明的对比,与现代艺术嘈杂 的试验和频繁的形式变换形成强烈对照。莫兰迪始终保持着自己的执着,在强调刺激表现 和形形色色视觉冲击力的艺术氛围中坚持着自己的沉思,坚守着自我的感悟。
通过沉思与冥想,莫兰迪获得了超越文化与地理限制的艺术成就。他通过对塞尚的研 究获取与形成了自己对艺术独有的审视,通过对立体主义的沉思开始了追求真实的尝试与 思考,通过与形而上画派的牵连获得了独特的形而上绘画精神。他将其他艺术家绘画中的 精髓抽离出来,结合他对这个可见可感世界的沉思和自己的创作领悟,叩问内心世界,最 终形成了自己的绘画理念,其绘画艺术达到了完美的超俗境界。虽然生活于意大利的莫兰 迪与东方艺术家处于全然不同的地理位置,并且受着截然不同的文化滋养和思想传承,但 他在许多方面体现出类似东方文人、艺术家的审美特性和艺术理念,如幽雅﹑宁静及含蓄 等的表达和呈现。仔细品味莫兰迪的作品,他静寂宁和的绘画世界让人体会到远避尘嚣的 宁静之感,耐人寻味。他作品中简约朴实的造型、优雅和谐的色彩、洒脱随意的笔触,无 不显露出一种沉稳、含蓄、宁静、悠远的意境,其艺术追求和精神品格与东方古代文人的 生活及绘画理念极其相似,具有鲜明的东方禅韵色彩,形成超越文化与地理的独特艺术面 貌。
莫兰迪以自己的方式静观冥思,其渗透心迹、宁静超然的艺术,发人深思、耐人寻味, 俨然是西方现代文化中特立独行的精神守护人与伟大的智者。
关键词: 莫兰迪 沉思 智者 超俗 意境 天人合一
Abstract
The 20 th century Italian giorgio dean is the most eccentric non-concrete painting figure. He always stick to the pursuit of art of concrete, persistent devoted himself to the single painting theme, devout friar with a dedicated to his enthusiasm loved art, in his own way with his interpretation of the visible world of meditation, it can be said that he is the art of discovery of the way a real wise.The 20 th century, in the art of his classic element and the value of the innovation in art by later generations to know and is more and more concerned. His art and at the time of popular western all kinds of arts scene has a bright contrast, and modern art noisy test and frequent form transform form sharp contrast. Always keep giorgio's persistence, and that stimulate performance and all the visual impact of artistic atmosphere maintained his meditation and clung to self to comprehend.
Through meditation, giorgio di won culture and geographical limit beyond the artistic achievement. Through the study of Cezanne obtaining and formed its own unique art of the first to examine, through to the thinking of cubism began pursuing real to try and think, th
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