昌吉市丧葬礼俗中的民间道教音乐研究-音乐学专业论文.docx

中文摘要 道教是产生于中国本土的宗教，它立足于中国两千多年的文化历史中，影 响到社会的各个层面；它与中国人的生活和习俗密切联系在一起，是中国传统 文化的一个重要组成部分。道教作为一种文化现象，它必须借助于一定的艺术 形式来显示自身的力量，而音乐则成了表达其宗教信仰、宣传教理、教义的重 要手段。道教音乐是道教在斋蘸活动时使用的音乐，又称“法事音乐”、“道场 音乐”。 “丧葬音乐”即指专用于丧葬礼俗中的音乐。本文以中国传统丧葬礼 俗中的仪式音乐为视角，结合文献、民族民俗学材料以及田野调查等对民间道 士班在丧葬仪式中发挥的音乐功能、音乐本体研究、田野个案调查以及由此引 发的文化人类学思考进行初步研究，从音乐本体关注特定礼俗关系如何供给其 传承；从特定礼俗关系关注音乐本体如何促进社会的更新、发展，即音乐本体 ——特定礼俗关系——音乐本体。通过这样一种走进去再走出来的视角，探求 传统音乐文化流变与传承的途径。 全文除绪言和结论外，正文分为四个部分。其基本内容如下： 1 新疆道教及其音乐的历史沿革。主要考察了新疆道教及其音乐的可考历 史；昌吉民间道教音乐的界定；昌吉地区汉族丧葬风俗；昌吉民间道教 的现状。 2 对昌吉丧葬仪式中民间道教音乐的田野考察。本章是笔者对所进行的田 野调查过程中个案的实录，详细描述了民间道教乐班在丧葬仪式中的程 式及音乐。 3 丧葬仪式中民间道教音乐本体分析。主要从曲式和旋律两个方面进行分 析。 4 民间道教音乐的流变和传承，揭示昌吉民间道教音乐的继承和发展。 关键词：民间道教音乐；丧葬礼俗；道士班；流变与传承 I ABSTRACT Taoism is a religion created in China, which is based on two thousand years of Chinese cultural history and affects all levels of society; Close to Chinese life and customs, it is an important part of Chinese traditional culture. As a cultural phenomenon, Taoism needs showing his strength by means of a certain art form. So the music became an important means to express their religious beliefs and publicize their doctrine. Taoist music is used in the fasting activities, also known as ritual music or temple music. Funeral music refers to the music dedicated to funeral rites. In the perspective of ritual music in traditional Chinese funeral customs, and integrating literatures, national folklore materials as well as field surveys, we study on the music function that the civil priest play in the funeral ceremony in this paper. We also do some research on music ontology and field case studies as well as consequent think in cultural Anthropology. Specific attention is paid to supplying relationship between some customs and its inheritance from the music ontology; From a specific rite body, it is also concerned that how the music promotes social renewal and development, that is, music - particular rites - music. Through such perspective of getting in and out again, we explore channels of the change and