从歌唱学原理探讨美声唱法中男高音“高音难”问题-声乐教学与演唱专业论文.docxVIP

中文摘要 在声乐教学和演唱过程中，男高音“高音难”现象普遍存在。男高音获得辉 煌的高音，必须要了解歌唱的发声机理、遵循科学的发声规律、建立正确的发声 和训练方法。本文主要以歌唱机理、声音观念、歌唱方法、练习方法、歌唱心理 五个方面为分析研究的主要方向，在大量查阅中外声乐研究著作、学术论文的基 础上，结合与导师白萌教授上课及演唱实践中的一些心得体会，从歌唱学原理入 手，对造成男高音高音困难、音色差等常见问题的原因进行分析和研究，归纳总 结出解决男高音高音的一些具体方法和手段。文章由绪论、歌唱发声器官的构造 与基本发声原理、造成“高音难”问题的原因、男高音“高音难”问题的解决与 训练四个部分组成。绪论部分主要涉及选题的目的和意义、研究现状等，第一章 主要是介绍发声器官的构造、相互之间的关系及基本发声原理。第二章主要是在 第一章的基础上，对男高音在演唱和训练过程中出现的高音困难现象进行分析， 为解决男高音高音问题奠定一定的理论基础。第三章主要是以前两章为基础，就 如何唱好高音，归纳总结出解决男高音高音的一些具体方法和手段。 关键词：男高音；发声原理；基本关系；原因分析；解决；具体方法 I Abstract Throughout the vocal pedagogy and vocal performance, there is still a concern that how to cope with the treble problem of tenors. In order to produce a resonant pitches; knowing the sounds mechanism, following scientific phonation rule and building correct intonation and practice methods is necessary. In this research paper, by using the combination of in-class experience from Professor Bai and extravagant number of research on Chinese and foreign scholar paper; singing mechanism, vocal concept, singing methods, practice methods and singing psychological as five major aspects to analysis the fundamental reason of causing common problems in the tenor field such as, difficulty in tenor treble and uncorrected timbre, and to provide specific methods on solutions. This paper consists of four chapters, introduction, structure of the vocal organ and basic vocalism principal, and analysis on treble difficulty and practice methods. Introduction mainly refers to the purpose and the meaning of this topic, as well as the current status of this research. The first chapter basically is to present the structure of the vocal organs and the fundamental relationship between the vocal organs and the basic vocalism principal. The second chapter provides analysis on treble difficulty phenomenon that appeared in concert and training process, based on the content of the first chapter, also it lays a theoretical foundation for solving problems tenor treble. The third chapter summarized spec