论清代石涛山水创作理念.docVIP

PAGE PAGE 1 论清代石涛山水画创作理念 南靖县实验中学 俞书华 摘 要：通过对石涛生活时代背景、石涛山水画的创作主张的深入分析研究，从新的视角去探讨生活经历对美学思想形成的重要影响。石涛经历了不同的时代，和独特的生平，为他后期的美学思想的形成创造了有利条件。同时他把“道”、“儒”、“禅”三家思想有效融合，作为自己艺术创作和美学思想形成的理论基础。他的“一画论”是对中国画的传统、修养、意境、变法、笔墨、造型等方面系统、深刻、鲜明的诠释，并开辟了一个新的高度之思维境界。从石涛画法的主张看，他之所以提出“我用我法”，就是要超越一切成法，包括古法和一切具体的法则，克服各种传统观念，进入到一片自由的创造境界中。运用辨证的眼光去看待石涛的艺术成就，对后世产生了深远影响，不愧为一代继往开来的山水画大师。 关键词：石涛；山水画；创作理念 Shi Tao Qing Dynasty Landscape Painting Idea Nanjingxian Experimental Middle School Yu Shu-hua Abstract: Shi Taos life through historical background, Shi Taos creative landscape ideas in-depth analysis and research from a new angle to explore the life experiences, the formation of aesthetic ideas important influence. Shi Tao has experienced different dynasties, and unique to make trouble for him later the formation of aesthetic thought has created favorable conditions.At the same time he was the Road, Confucianism, Buddha the effective integration of the three ideas, as their own artistic creation and aesthetic ideas to form the theoretical basis.His One painting theory is a Chinese painting tradition, self-cultivation, mood, political reform, the works, styling, etc. systems, deep, clear notes, and open up a new realm of high order thinking.Shi Tao to see France from the idea that he had been put forward, I use my method, is to go beyond all became law, including the ancient techniques and all the specific rules, to overcome traditional concepts into a realm of freedom to create.The use of dialectical vision to see the artistic achievements of Shi Tao, had a profound impact on future generations, worthy of a generation past with the future masters of landscape painting. Key words: Shi Tao; Shi Tao landscape creative idea; Artistic Influence 引 言：山水画是高等艺术院校所开设的一门课程，山水画临摹是学习山水画的途径，学习认识经典绘画语言和前辈艺术大师的绘画美学思想是这一学习的环节中的关键。石涛是清初引领潮流的画家，他以主观情志驾驭艺术中的形式与自然，伸张情感意蕴与个性精神，开启了山水画向近代形态转变的历史。石涛是众多山水画艺术爱好者所师法的对象之一，结合临摹学习和实践认识探索学习石涛山水画艺术的经验具有积极的意义。 一、石涛生活时代背景 石涛（1641—1707），清初“四画僧”之一，“非院体派”在野画家，俗名朱若极，法名道济、原济，字石涛。