《印象·喀什民居》水墨画创作-研究.pdfVIP

Abstract Chineseinkpaintingisauniqueformofpaintinginwhichthepaintingisanart form that best reflect Chinese culture and artistic spirit, it reflects the form of the national spirit of art and culture, this unique style of painting on behalf of the Chinese national level. After aesthetic sense and with the introduction of Western painting techniques, many artistswill integrate itsnew forms oftraditional Chinese painting, Chinese landscapepainting is observed fromnature, experience, get some kindofimprintorsentiment,andthenrefined,summarizedlessonstheessenceofthe naturallandscape,usingtraditionalpenandinktechniques,therebycreatingacertain mood ofthe picture. During graduate school I live in Xinjiang, by its long cultural history and natural beauty are attracted, especially to Kashgar folk songs on the occasion, full ofpassion forthe local Uighur ethnic culture ofresidential buildings have a strong interest in this kind of interest led me decide to study culture in Xinjiang, Kashgar resolve residential buildings, andthe concept oftrying to have a senseoftheirownexpressioninChinesepainting.ThisarticledescribeshowIwould drawideasandsenseof formcombiningelementsoftraditionaltechniquesandhow tousetheexpressionofanewinkstyleinthecreativeprocess. Key Words ：Ink ，Kashgar Houses ，Uighur ethnic culture ，Formal beauty ， Abstract II 目录 1引言1 1.1选题意义1 1.2文献综述1 1.3研究方法1 1.4本文创新1 2创作《印象 ·喀什民居》水墨画的缘起与构架3 2.1打开创作情感之窗3 2.2 以高台民居为例探微维吾尔族建筑文化与建筑美学3 2.3 《印象·喀什民居》水墨画的创作构想5 2.4实践之我感5 3解析《印象 ·喀什民居》水墨画的内容与形式7 3.1线条的运用方法7 3.2绘画皴法提炼的过程7 3.3强化设色对构建画面的效用8 4 《印象·喀什民居》水墨画中蕴含的形式美10 4.1抽象性的提出10 4.2 绘画装饰性10 4.3时代性特征11 4.4符号化12 结语13 附录14 参考文献18 在读期间发表的论文与作品19 后记20 III