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- 2018-12-26 发布于上海
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Pulp Fictions : The British B
Film and the Field of Cultural
Production
Brian McFarlane
There was a real dividing line between A films and B
films. The B films were deliberately mad e as such; they
were not failed A films. (Michael Winner)
These days , access to British B films, or second features, is very
limited. Even in the National Film Archive of the British Film Institute they
are scarce, an d one s best chance of viewing them is on late-night televi-
sion where, presumably, it is
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