作家与作品-北京大学.PDFVIP

　20012 　(43 ) :、 周小仪 (　, 　100871) :《莎乐美》表现了唯美主义注重当前的时间观念, 鄙视灵魂的非理性主 义, 推崇肉 的感性至上思想, 是英国文学中反启蒙、反现代性的艺术作品。 《莎乐美》在中国上海的传播与接受, 象征地表达了商品文化中物化的逻辑。 在郭沫若和田汉那里, 唯美主义背后的商品关系和感觉的物化现象被现代与 传统的关系所替代。《莎乐美》 现的颓废主义瞬间观念被“再生”的现代性 时间观念所置换。在中国现代文学中, 莎乐美成为一个反抗传统的启蒙主义 艺术形象。 :莎乐美;唯美主义;消费主义;现代性 Abstract:Aestheticism and decadence represented not only currents of artistic sensibility but also a special lifestyle of cosmopolitan metropolis.The experi- ence of consumerist society could be aestheticized under the name of the ideas expressed by Pater, Wilde and other aesthetes, and thereby recei ed alida- tion as an ideal lifestyle.But in China, aestheticism expressed in Salome be- came identified, in the works of authors such as Guo Morou and Tian Han, with the campaigns against traditional Confucian culture and for “enlighten- ment” that followed in the wake of the May 4 cultural mo ement.For such ·67 · writers, the commodified relations and sensory reification behind aestheticism were supplanted by the relationship between modernity and tradition.This ren- dition di ested Salome of her decadent eroticism.Salome therefore assumed in- stead the primary role as a rebel and destroyer of tradition in modern Chinese literature. Key words:Salome;aestheticism;consumerism;modernity 、 《》(Salome )(Herodias) , 。 (Herod)“”, 。 。《》, ,, ① 。 19 , (Heine) (Atta Troll, 1841), “”。(Flaubert)(Mallarme ) (Herodias, 1877)(Herodiade,), ② 。· (Gusta e Moreau)、。 (1876) ③ (1878), , 。(Huysmans)、 《 》(A Rebours, 1884): ④ 、、、、, 。 , 《》(1893)(1896), (Aubrey Beardsley )《》 ·68 · (1894), ·(Richard Strauss) 《》(Dresden)