从舞谱到舞蹈文化复兴中的文本表演与身体记忆人类学专业论文.docxVIP

帆Y 帆Y iii●l 删8 Ⅷ2 n¨ii●■_ Ⅲ2舢8 ㈣9 ABSTRAC T This dissertation deals with three performance process of Shandong Qufu Confucius Ceremony in modem times including shooting the documentaryThe Confucius Music and Dancein l 957． performance of Confucius Music and Dance by Qufu City Troupe in the l 980s．as well as the”new”Confucius Music and Dance after Public Memorial Ceremony in 2004．The author investigates and analyses the art form that encompasses¨song，dance，music¨and ceremony and shows the revival，continuity and invention of traditional culture reflected in the performances on the basis of the text and combination of the performance and body memory through the participation and observation．胎see neither the ancient music and dance performance，nor a variety of ceremony faces but a microcosm of traditional Chinese cultural renaissance through the dance text from the dance notation to the dynamic transformation，as rests on the history and art anthropological research perspective and method． Attention is paid to the practice of human behavior including the thoughts and deeds of the actor,director and staff in performing Confucius Music and Dance．The reason why we pay close attention to their saying and doing is we want to reveal the logic behind the system and culturalidea from theirtechnical”and”art”appearance．Therefore， this paper points out that ethnography case that studies art should focus on personal¨experienceof researchers and who takes part in the process of artistic creation can truly understand artistic works and the meaning behind the action and that art anthropological research emphasizes both cultural and social perspective from the internal part and artistic language writing itself． This dissertation includes introduction，five chapters and conclusion． Combining the anthropological research into art(including dance)in the past with field investigation，the introduction summarizes my own research perspective and specific method．The first cha