二十四孝研究艺术学专业论文.docxVIP

摘要 摘要 Illl／fllllll／lll lfr lllllltlllffl／IflrflllIIf删 Y1 806289 Abstract By the study on什Twenty-Four Stories about Filial Piety，this paper is aimed at illustrating the attribution of竹Twenty-Four Stories about Filial Piety”as‘‘general knowledge，ideas and beliefs．This Paper applied textual criticism and comparison of traditional history as study methods，carrying out a great deal of analysis of materials， which include literary writings，archaeological reports，class books compiled by the government,remaining characters in Tun Huang，children’S primers，drama scripts and SO on．At the same time,the paper drew lessons fully from research results created by predecessors，inquiring into the formation history of”Twenty-Four Stories about Filial Piety；the correspondences and differences concerning“filial types’in preferences， contrasting、析mbiographies of filial people’in the records of authorized history；and the reasons for its widespread． As a very eOlllmon cultural phenomenon,”Twenty-Four Stori．es about Filial Piety has passed through a long long time in ancient China．Its formation benefited from the mutual between‘‘Elite Culture”and‘Topular Culture”．Broadly speaking，”Twenty-Four Stories ab．out Filial Piety’origined in the Hart and Wei Dynasties，and continued in the Yuan and Ming Dynasties．In addition,during this process，the tendency of“cultural popularization’in Song Dynasty has great significiance on its final appearance． For wide-angle，there黜respective standards on the choice of“filial types’’ between‘biographies of filial people’’in the records of authorized history and ”Twenty-Four Stories about Filial Piety”．The reasons for the existanee of such a difference is related to the textual orientation of”Twenty-Four Stories about Filial Piety竹． Moreover,the difference still contains information of sociocultural changes． Compared丽也other modes of transmission,drama is more sensitive to the things that people like or hate．Because of this，dramas got materials from”Twenty-