试论艾丽森瓦特作品中的隐喻美术学专业论文.docxVIP

AbstractThiS Abstract ThiS thesis looks into the art of A1ison Watt，who was born in England in 1965 and who now 1 ives and works Edinburgh and London． Watt i S member of the National Gallery Society and her modernist paintings have been exhibited in major museum shows and art galleries and many of her art pieces also held by private collectors，foundations well galleries．Watt’S works draw inspiration both from classical tradition as well photography’S super—realism to deliver her unique look at vi sual art that makes use of material fabric to bring across the traditional techniques of form and structure．Her simple compositions however richly endowed with a poetic language that is expressionistic and refreshing and gives food for thought．Particularly when viewer of her works may at first sight comprehend it as visual impression of in folds of fabric，but may also be taken to represent the hidden connotation of sexual imagery． With regards to Watt，the scarcity of research material，1iterature and scholarly studies have made it necessary to depend upon an analysis of her experience and background to trace the impact of significant people and events that brought about the different stages of her artistic development． Also，from looking at number of her representative works and the landmark exhibitions that showcased the transformation of her style，we given further insights into the internal changes that al 10wed her art to develop from tradi tional real i sm to become that i moderni st expression in approach． Key words：A1 i Watt，moderni sm，change 2 万方数据 中国美术学院一油画系一王歆迪一“试论艾丽森．·瓦特作品中的隐喻”引言 中国美术学院一油画系一王歆迪一“试论艾丽森．·瓦特作品中的隐喻” 引言 “一个艺术家的名字是否被记录下来并不是根据他的艺术成就的伟大和完美 程度——尽管这有可能客观的加以评定——而是根据艺术品所赋予的意义的大 小 ”1 第一次看到艾丽森·瓦特(图一)的作品是在香港去年举办的巴塞尔艺术博 览会上。(图二)画面的颜色，内容都极为简单，像是打了暖黄光的黑白照片， 乍眼一看画面是一片白色，但是其中包含的色彩十分微妙：暗橙、蓝灰、镉红、 黄赭 层叠的纹路，表现的像是布纹的褶皱，质感却让人联想到百合花瓣亦或 是褪去了颜色的皮肤。不禁让人把充满着整个画面的起伏的织物幻想成迅速移动 的人体，让人猜测这位艺术家也许是想表达更深层次的东西。厚重的亮部，更是 突显了阴影部分的深不可测，画面的层次感让人感受到画面之外的重量。各种艺 博会不乏极简风格的当代艺术作品，能让人驻足欣赏的却并不多。