船山情感论审美研究文艺学专业论文.docxVIP

摘要船山著作，卷帙浩繁，内容丰赡，研究者可以从不同视角、小同 摘要 船山著作，卷帙浩繁，内容丰赡，研究者可以从不同视角、小同 侧面进行探讨。本文借重存在主义、阐释学、符号论以及怀疑论美学 的运思方法，以作品、诗学、哲学为进路，追问船山情感理论，发现 其情感论虽然没有明确精细的条理，甚至充满矛盾，但是却蕴涵丰富 而有启发性的情感学内容。 船山一生充满劳绩与诗情，因而情感论是其诗学、哲学不可忽视 的部分。船山诗歌情感论认为诗歌的本源是情感，雅俗问题是与情感 息息相关的，情感的“贞、正”决定着作品价值的高低，因而缘性而 动的情感在作品中起着决定作用，性情是诗歌作品的本源。但船山非 “奖情”论者，其情感论存在着矛盾。 船山哲学情感论包括儒学性情论和对佛道“无情”论的阐释。儒 学性情论采用了两种阐释方法，一种是“生”，一种是“在中”。“惟 性生情”是继承朱子的阐释方法，其推论的结果：情为善而非恶：“性 自行于情中”是船山自创的阐释方法，其推论的结果：“情无自质”， “恶根于情”。因而其儒学性情论是充满矛盾的，缘性而动的情感才 是其理想状态。佛道“无情”论是船山批判的对象，然而，对相宗、 庄子的解读，船山发现了“现量”情感、“斯须”情感的合理性。由 于“成心”的去除，“两行”的处世态度的获得，船山性情论具有美 学化的倾向。 儒、佛、道三种视域的融合共同建构了船山情感论。性情之善， 无情之真构成船山情感论之美；真善美的统一，使共时性的“性情” 获得了艺术本体之地位。 关键词：船山，性情，无情，共时性情感，视域融合 ABSTRACTChuanshan’S ABSTRACT Chuanshan’S WOrkS have lots of rolls and rich contents．SO researchers can study them from various aspects．The paper discusses his emotion theory with his works，poetics and philosophy,making good use of existentialism，hermeneutic，symbolic and skepticism and finds that Chuanshan’S emotion theory is not arranged clearly and definitely and even full ofcontradictions．but{t has rich and heuristic emotion contents． Chuanshan has many merits，accomplishments and poetic charm in his life，SO the emotion theory is one important part of his poetics and philosophy,He considers emotion is the source of the poem and poem’S refinement and popularity are closely connected with emotion．SO the loyalty of emotion decides the value of works and the emotion by nature is the decisive factor in works and becomes the source ofthe poem． Chuanshan’S philosophical emotion theory includes the explanation of the theory on sentiment of Confucianism and the theory on natural emotion of Buddhism and Daoism．The theory on sentiment of Confucianism has two ways to explain，which are‘producing’and ‘‘in-sein”．The idea of“only nature produces emotion’’is carried on from Zhu Xi，whose inference is that emotion is virtuous and not evil．The idea of“nature go freely in emotion”is Chuanshan’S own creation and his inference iS that