解读动画大师宫崎骏-传播学专业论文.docxVIP

「一 AB AB STRACT This paper tries to comb hayao miyazaki and his works systemically．Not only do it excavate hayao miyazaki’S character from his life experiences，but also in the view of the semiotic theory communication，analyze the content and symbols element of his cartoon works，and deeply exploite hayao miyazaki’S animated artistic characteristics and creative thinking．In order to provide reference for the development of Chinese animation culture．In addition to preface and epilogue outside，main part of full text is divided into four chapters． First and foremost，this thesis unscrambles roundly nine anima tion works which are directed by hayao miyazaki．Several sections a re divided by changes of hayao miyazaki’S creative ideas in different peri od．Through contrastive analysis，text analysis and SO on，explains the pro tess and reason for the changes of his creation concept．To reveal the dept h and breadth of hayao miyazaki subject choice．Then rely on the basic P rinciple of semiotics of incessant hayao miyazaki cartoon works the sig n elements，analyze symbols function of the element and the cultural conn otation，in order to achieve the further understanding of GongShi animati on．Also borrowing the research methods integrated theory with practic e，advanced the height of the theory for hayao miyazaki’S research and ac ll ‘dF ‘ ‘ hieve hieve more accurate understanding．Finally，through analyze the diffus ion circs of hayao miyazaki animation at home and abroad，and asso ciate with the research about hayao miyazaki and animation works t O provide the inspiration．Through summarizing the refining hayao miy azaki when creating animation display different qualities to guide the curr ent animation practitioners thinking itself should be professional quality a nd ideological quality．Let animated creator how to reference the master’ S creation concept，to make full use of actual animation，to create high qu ality animation works，to promote the vigorous development of Chine