收藏家的文化担当-中国嘉德.PDF

Literati Elegance 文人雅议 收藏家的文化担当 —读《丹青铸史·望山堂书画录》 Cultural Obligations Willingly Taken by Collectors: an Appreciation of Paintings Mould History — Painting and Calligraphy of Wangshan Hall 文／郎绍君 By Lang Shaojun Wu Yifeng’s art exhibition several years ago created a chance for me to get acquainted with Liu Xin. At that time, he organized, compiled, and printed four books of Wu Yifeng who is a painter. This made me realized that Liu Xin who majored in finance and economics and ever achieved great success in business is a person who has in-depth knowledge of culture and history. He turns out to be a collector with good taste and aspirations. Not long ago, he came to Beijing to read and correct manuscript of Paintings Mould History – Painting and Calligraphy of Wangshan Hall at Zhonghua Book Company. This book collects artistic works such as Wu Changshuo’s A Small Picture of Zhuguang, Qi Baishi’s Flowers and Birds and Red Plum, Yu Feian’s Daffodil Butterflies with Different Colors, Pan Tianshou’s Field with Alive with Frogs, Fu Baoshi’s House in Wangsong Mountain, etc.. All the works are the representative works of these artists and have high artistic value. 与刘欣相熟，缘于数年前的吴一峯画展。那时，他组织、编写、 冯建吴、岑学恭等名家，也都有可靠可观的作品入选。此书的 印制了有关画家吴一峯的四本书册，使我知道了学财经出身的 面世，无疑会丰富我们对近现代书画的鉴赏与理解。 刘欣，懂画，也有相当的文史功底，一转身成为有品位、有追 古近中国的书画收藏，有作“著录”的传统—即将藏品的 求的收藏家。前不久他来京，在中华书局校改《丹青铸史·望 题目、形制、媒材、尺寸、名款、题跋、钤印和创作年代等， 山堂书画录》书稿。“望山堂”即刘欣的斋号，缘于他对老师吴 加以抄录、整理，有时还略加考评，通过印制公诸于世。历代 一峯的怀念。这是他和朋友的新着，对自己所藏（72 件） 近现 著录有很高的史学价值，是研究中国书画学史不可或缺的宝库。 代书画作品的图像与著录，所作的考证和评论。不仅有出色的 《丹青铸史·望山堂书画录》，在继承前人“著录”传统的基础上， 藏品，还能对藏品、作者及相关背景作多层面的研究考评，在 加入了对画家生平事迹、作品鉴赏、创作背景及相关史实与图 当代收藏界，可谓难得一见之事。 像的辑录、考证，可谓文图并茂的学术性图录。近百年中国美术， 书中所收吴昌硕《珠光一掬图》、齐白石《花鸟四屏》《红梅》、 因其激荡的、充满对抗的社