劳伦斯在《恋爱中的女人》中的人物刻画毕业论文.docVIP

劳伦斯在《恋爱中的女人》中的人物刻画毕业论文.doc

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【标题】劳伦斯在《恋爱中的女人》中的人物刻画 【作者】傅明名 【关键词】大卫?赫伯特?劳伦斯;《恋爱中的女人》;人物刻画技巧 【指导老师】张亚军 卢静 【专业】英语 【正文】 I. Introduction A. A Brief Introduction to the Author David Herbert Lawrence was one of the greatest English novelists in the early 20th century. During his life-long literary career, he had written more than ten novels and several volumes of short stories. Besides being a great novelist, Lawrence is also a proficient poet, a combative essayist, and a prolific literary correspondent. Furthermore, he extends his talents to book-reviewing, translation and painting. But it is in the novels that his true greatness lies, and on them that his reputation rests. B. A Brief Introduction to the Novel Being audacious in erotic writing and original in describing sexual relationship, D. H. Lawrence became one of the most controversial writers in modern literature. His novels had been banned for some time, so he struggled for several years to find a publisher for Women in Love which was known as his mature and profound work of fiction before its eventual appearance in 1921. Women in Love tells us a story about two sisters, Ursula and Gudrun Brangwen, both of whom are grammar school teachers, strike up relationship with two close friends, Rupert Birkin, a school inspector, and Gerald Crich, a wealthy and influential mine-owner, in the East Midlands colliery area of Beldover. Ursula and Birkin struggle into a relationship of some fulfillment, and are married; Gudrun and Gerald experience increasing conflict, leading to tragic conclusion. As soon as it was published, Women in Love was vehemently criticized by some of those contemporary readers and critics. Fortunately, as time goes, the artistic achievements of Women in Love have gradually won the readers’ and scholars’ acknowledgements. Nowadays, Women in Love, has not only acquired all deserving praises and acknowledgements, but also becomes a very important object of the academic study, including feminism, mysticism, deconstruction, etc.

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