米友仁山水画艺术研究-艺术学专业毕业论文.docxVIP

摘 要 米友仁是一位经历“靖康之难”的宋朝文官，同时也是一名重要的文人山水画家， 是继董源、巨然之后“南宗”山水画派的又一代表，他发展了米芾所创的“米氏云山” 这一绘画风格，并使其成熟，对后世的文人画家和院体画家都产生了一定影响，对全 面发展和繁荣中国山水画艺术作出了积极贡献。 虽然米友仁在中国山水画史上占据着不可替代的地位，与父亲米芾合称“二米”， 人称“小米”。但是，长期以来，由于米芾名声太大，遮蔽了米友仁的光芒，再加上 文献资料的相对匮乏，致使人们对米友仁其人、其画、其绘画思想的认识比较模糊， 个别存在偏差。 本文以文献资料分析与绘画作品考察相结合，对米友仁进行了不同侧面和角度的 分析，厘清了他的真实面貌，重点探讨了米友仁在中国山水画史上的地位和其对后世 的影响。同时，对米友仁的生卒年、《潇湘奇观图》的创作时间及创作旨意、米友仁 风格转变的原因等方面进行了深入细致的探讨、考证，并提出了自己的看法。 关键词：米友仁，山水画，《潇湘奇观图》，米氏云山 IV III III ABSTRACT Mi Youren, the mountain-and-water artist who underwent ‘Jingkang Calamity’, is a civil official in Song dynasty and one of the most outstanding representatives of the ‘Nanzong’ school after Dong Yuan and Ju Ran. He develops and consummates the unique painting style “the Mi’s landscape panting” established by Mi Fu, which makes great influence on the later mountain-and-water painting artists and imperial-court decorative artists, and contributes greatly to the overall development and prosperity of Chinese mountain-and-water painting. In a word, he holds an irreplaceable position in the mountain-and-water painting history in China; besides, he and his father-Mi Fu were called “er mi” and he got another nickname “xiao mi”. However, his father-Mi Fu is so famous that he slips out from people’s mind for a long time; moreover, the documents about him are relevantly short in history. Thus, people knows little about his characters, his paintings and his own theories on painting, for which some individuals even can not get uncompleted comprehension. Based on the analysis of the document literatures and the observation of the painting works, this paper makes a detailed analysis of Mi Youren and represents true features of him. Besides, this paper mainly discusses the position he holds in the history of Chinese mountain-and-water painting and the influence he contributes to the later generations in China. What’s more, the paper also shows the author’s own points of view on the time of Mi Youren’s birth and death, the creation time