李东阳的书法理论与创作研究-美术学专业毕业论文.docxVIP

研究生优秀毕业论文 冲破了明初期“台阁体”书风的笼罩，对明代书法及整个书法史具有 冲破了明初期“台阁体”书风的笼罩，对明代书法及整个书法史具有 重要意义。 关键词：李东阳；书法；复古；通变 万方数据 ABSTRAOTDuring ABSTRAOT During initial period of Ming Dynasty which made literary and artistic creation dreary．At that time，Taigeti Style prevailed in the 1iterary and calligraphy circles，which was kind of outdated．Therefore，intel lectuals looked forward to past culture and sought spiritual，as a result of which the antiquarian trend rose． As a representatiVe of the trend，Li Dongyang was t he son of a government offi c i al and was great l y influenced by orthodoxy．For him，preserving and reviving tradi t ional cul ture was the only choice．However，Li Dongyang also opposed the invariable of Taigeti Style and attempted to get change through the retro． Former studies of Li Dongyang mainly focused on hi S literary creation，moral quality and ideology．Only some books on calligraphy provides simple description about his calligraphy．People hold different views on his calligraphy， with some appreciating his handwriting while others thinking that hiS handwriting belongs to Taigeti Style．In the meantime， there has not been specific description on his calligraphy theory． On the basis of previous studies，this thesis makes an attempt to study the calligraphy theory of Li Dongyang and his Ill 万方数据 creation creation by combing historic documents and Li Dongyang’S works handed down from Ming Dynasty．The paper cons i sts of three parts．The first part explores Li Dongming’S calligraphic thought on the basis of his 1 iterary thought．He approved getting change through the retro，with the aesthetic of focusing on the content rather on the shape and the view on creat ivi ty of not adhering to stereotype and seeking new idea． He pursued powerful and elegant calligraphy，holding the idea of going down in history with excellent handwriting．His comment s on Yan Zhenq i ng，Huai Su，Mi Fu and Zhao Mengfu reflected his aesthetic standards on calligraphy．The second part researches Li Dongyang’S cal