论周星驰电影的喜剧风格与审美意义-美学专业毕业论文.docx

tone style of performing has been gradually recognized by the public and brought out the celebritys appeal, so the loony tone style become the symbol of his movies. However, loony tone is not just funny, the funny thing actually implies a profound cultural connotations. Through the odd funny loony tone way of expression, his films convey his profound thinking of modern circumstance. The second part analyze the narrative features and style from the script of his films. The author have selected the four main features to illustrate. The fist part is that he express serious topic in a jocose way. In traditional films, serious topic often illustrate in some serious formal, solemn ways. However, Stephen Chow changed this traditional way of expression and express serious topic in a jocose way, so that the audience can not only enjoy the funny acting but also sublimate their thoughts. The second is about the unique narrative method and dialogue. In the narrative, Stephen Chow often abandoned the traditional narrative rules, broke the norms of traditional creative, bold deconstruction of the original structure and narrative logic works, which described the things beyond the audience by surprise, and there are many circumstances and details of the divorced text, but also makes the various parts of the text shows fragmentation and strange features. In the language and dialogue, the Stephen Chow film mainly for the loony tone language style which he is good at. This language style is characterized by incoherent, jumping great, the surface does not seem meaningful way, in general, constitutes a reversal of the original order and rebellion, the original meaning of the language of deconstruction have been fragmented. The third is the deconstruction of the classic,historical figures and famous works. Stephen Chow movies often offensive to the status of classics, including to parody classic literature, classic characters, classic films, etc., to funny way of the traditiona