论古筝“颤音”技法.pdfVIP

Abstract With the development of modern music, guzheng innovative techniques for the developmentof guzhengart alsobrings no small impact.Left hand newwavereferstotheuse oftechniquessuchastremolo,greatlyenhanced the expressive force of guzheng, increase the difficulty of the music, appreciating. Traditional left hand techniques, skills along with the development of innovative techniques such as the focus of the study in thisfield isno longera, insucha situation, inthedevelopmentprocess ofguzhengartwill gradually loseitsasauniqueflavor,ancientmusical instrument that is a problem that nots allow to ignore. The purpose of this study isas guzheng professional learner,we study how to dealwith this problem, and in what ways can be better learning, protection and inheritance? Inresearch methods in this paper, vibrato borrows a lotof research literatureand data, the characteristics of thevarious schools and collect the trills,under the guidanceof tutor combinedwith his own experience, write the views and opinions in view of the tremolo. The content above, the article is divided intofive parts. The first part is the introduction. Analyses the current situation of the development, research methods; The second part is about the vibrato characteristics ofguzhengrepresentativeschools,inshaanxi,henan,shandong,chaozhou, hakka characteristics of the genre as an example for comparative study; Left in the third part of guzheng performance technique analysis, the teaching and learning in the left hand skills learning problems and solutions;And combined with their own learning experience, standing on the perspective of teaching illustrates how to grasp the meaning of traditionalvibrato techniques inthe study.The fourt