论吴祖光话剧对戏曲艺术的借鉴与创造-中国现当代文学专业论文.docxVIP

李 李 艳：论炅}n光话剧对戏曲艺术的借鉴1j创造 中文摘要中又于两斐 吴祖光话剧是中国话剧民族化的成功探索之一，对中国古典戏曲的借鉴以及融 合是其话剧创作的主要特色。然而，迄今为I七，关于吴祖光话剧创作与中国戏曲关 系的研究还处于简单粗浅的松散状态，特别足对吴祖光在融合二者基础上完成自己 的创造性转化上未能做进一步的研究。本文l!|]以吴}}l光话刚对戏曲艺术的借鉴和创 造为研究对象，力求对其作全面深入的研究。 引言指出本选题的缘起、思路及价值。 第一章着重考察吴祖光与中国古典戏曲／文化的渊源。从他的幼学经历、对唐诗、 京戏的迷恋、戏剧教育和创作生涯，还有他独特的家庭氛困等方面予以阐释。 第二章探询吴祖光话剧对中国古典戏曲的借鉴。分为两个部分：～是他的话剧 作品借鉴古典戏曲的表层结构，如点线串珠式的剧情结构，自由流畅的时空转换和 “戏中戏”手法的运用；另一方血是他的话剧作品借鉴戏曲的深层结构，主要表现 在三个方面，即幻想传奇的浪漫精神，意象与意境的审美创造和诗的戏剧、戏剧的 诗。 第三章主要探求吴祖光是如何把现代话剧和古典戏曲这两者有机融合在一起 从而完成自己独特创造的，主要从三个方面予以论述：一是抒情与哲理的统一；二 是写实与写意的交织；三是传统形式与现代技巧的融合。 最后对吴祖光话剧借鉴戏曲的艺术创造给予应有的评价，肯定其成就，指出其 不足。 关键词：吴祖光话剧；戏曲艺术；借鉴；创造 AbstractWu Abstract Wu Zuguang’S drama is one of the successes of drama exploration in the process of nationalization，refercnce and fusion to the drama；it is the main feature of his drama．But， up to now,the stud)’of Wu Zuguang’S drama about the relationship between creativity and Chinese opera is still in a loose and simple state．Particularly,it is failed to do further research in the integration of the drama and Chinese opera．The paper is to Wu Zuguang’S drama in reference to the opera as well as learns from the completion of a drama based on the originality ofthe research object． The first chapter focused on the origin of Wu Zuguang’S drama and Chinese classical opera／traditional culture．From his family environment for Obsession of Tang, Peking opera，the fascination with the early days as a drama teacher,as well as he and Xin Fengxia’S marriage，etc．to be explained． Chapter I I explore Wu Zuguang’S drama is how to learn from Chinese classical opera，divide into two parts．First his drama refers to the surface of classical drama，for example，type of plot points and lines beaded structure，Free-flowing space—time conversion，and the use of story within story．On the other hand，his drama refers to the deep structure of classical drama，mainly in three aspects，the romantic fantasy spirit of the legendary,image and artistic conception of aesthetic creation，Poetry,in the drama， drama