山水美学与六朝园林艺术-美学专业论文.docxVIP

AbstractLandscape Abstract Landscape iS the main indicator of Chinese gardening，aimost no Park without hill．no Park without water．In the same cradle of the Chinese civilization，landscape and garden breed， development， acceptable to the impact of Chinese nation psychological and the cultural accumulation，with the aesthetic blend Infiitration course． Late Han Dynasty era，garden art and aesthetic landscape have a leap in development，the natural landscape Jumped from the moral Figure， statted as an independent aesthetiC object；garden art not onlY in terms of types with great abundance，besides the royal garden，there are garden of scholars、 Buddhist，and other new types of gardens， in nature there is still a maJor 1eap：Han dynastv focus on the meet to the park owner material needs，in the Wei and Jin dynasty，Park as the main character cultivation，and the spirit homes of the souls． From the material aspects of this to the shift in spirit and distiIlation is the main features and value of the Wei and Jin Dynasties garden． Chinese classical garden s landscape aesthetic theme、 Dleasurable feelings for the inevitable result of the unique ethos and artistiC style，remarkable and gradually established．This paper presents the Six Dynasties garden art of”1andscaPe aesthetic aualities”and the development process how the two closely integrated，to grasp the LiuChao s characteriStiCS of the garden，thus pushing know Dynasty garden extent of the development and the basic outlook，and know the it’s position in the history of the deVelopment of Chinese gardens． Key words：the art of Six Dynasties garden Landscape aesthetic Aesthetic implication 引 引 言 历史悠久的中国古典园林，目前仅存较完整的明清实物，不仅保留了园林历史形象， 还承载了丰富的文化信息。园林不能仅仅当成一种理景艺术加以重视，作为社会文化的综 合载体，它的深厚文化渊源更是有待挖掘的丰富宝减。正因如此，目前学术界对中国古典 园林的研究，逐渐从单纯的形态或形式美层面，走向了更为深层的造园理念和美学思想等 园林文化层次。本论文即是通过阐述山水美学与园林艺术的交融渗透，来把握六朝园林的 特征，从而推知六朝园林的发展程度和基本面貌，确定其在整个中国园林发展史上所处的 地位。山水是中国园林的主要标志，山水与园林同在中华文明的摇篮中滋生、发展，共同 接受华夏民族心理的影响和文化的积淀，有着交融互渗的美学历程。六朝时期，随着山水 美学的发展，自然山水以其本然的美展现于人的面静，自然具有